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Robertson, David – Enough Nonsense

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Enough Nonsense

I was curious so I just looked back on how I labeled all of my old reviews on David’s books, as he’s the writer but usually only the artist on some of the comics. I was all over the place over the years, sometimes calling him an editor (which I’m sure he is too), sometimes listing the various artists, usually not. This is all to say that all of those names in the tags? Those are all of the artists in this issue. I never go story by story in these reviews, so if you liked one piece in particular, look up that artist why don’t you? Christ, now I’m telling people how to use the internet. OK, moving on. This is another collection of short pieces by David and friends (nothing is longer than a couple of pages this time around), and it’s yet another solid pile of stories. If you’re thinking that “yet again” is a slam, no it is not. Somebody putting out quality work on a consistent basis should never be taken for granted. Stories this time around deal with whether or not the Titanic cracked in half before sinking (I had no idea that this was a controversy for decades before the wreckage was found), explaining the gap in observable work between comic writers and artists, car people vs. non-car people, the disturbing process of “weeding” in public libraries (basically pulling books from the shelves permanently that haven’t been checked out in a certain number of years), trying to do a nice thing for a new writer, how some painful memories may be ridiculous but still manage to haunt you, rejecting the cop-out answer that saying you believe in god doesn’t hurt anything because you’re covered if it does or doesn’t exist, how the official Star Wars Celebration has changed over the years, and being yelled at by an automatic fridge to close the door. That last one was illustrated by Peter Conrad, another one of those artists who were around in the early days of the website but I’ve since lost track of. Well, he’s still making comics, which is always a positive sign. I mentioned maybe half of the stories in here, so that leaves plenty of surprises for you to find. So, to recap: are these great stories that I will enjoy? Yes. Are there a wide variety of stories so that I’ll still like plenty of them even if some of them aren’t for me? Also yes. When in doubt, should I just throw money at indie comics in case I like them, because even if I don’t like a particular issue that still means that the artist is more likely to make comics in the future? Absotively yes. All clear?

Robertson, David & Various Artists – Break the Cake

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Break the Cake

Hey comics creators! David is back with another gigantic comic full of stories to shame you for your feeble efforts at getting your own books out in a timely fashion. Of course, he does have a small army of talented artists to help him along, so maybe not everybody has that advantage. That’s right, it’s time for another pile of stories, and, as usual, the good ones vastly outnumber the baddies. Based on my subjective opinion, obviously. There’s a lot in here, and I’m going to leave parts of it as a surprise, but highlights for me included his story about getting over Star Wars (not exactly a novel idea at this point, but he told his story well, and his losing interest is more based on all the clues he got over the years about future movies being abandoned by Disney than anything else), Jonathan Swift’s response to a question about where he got his ideas, a day in the life (starting with a night shift job, then trying to get any sleep and finally traveling), coming across a secret comics library at the University of Dundee, a time travel story by a 12 year old David featuring him feeding an entire cow to a tiger, the “lady” that isn’t Betty or Veronica, trying to feel sorry for somebody who got very rich at a young age and who is currently having an existential crisis about it, a lady reporter trying to honestly answer the question of her assignment and running smack into misogyny instead, keeping the reviews of Star Wars Episode 1 under wraps before it came out in the U.K., some acting advice by William Shatner to the new guy, how a puffer fish attracts a mate, and finally the lengthy story of an alien who comes to Earth with a mysterious purpose. Why is he shooting that gun? Does he have our best interests at heart? Does he even care that we’re here? I’ve mentioned his all star team of artists, but the range in this one was really impressive. Flipping through the book it looks like a regular anthology, which I guess it kind of is, except all written by the same guy. Still, it’s a visually impressive mixture, and it’s sure so send anybody who sees it down a few comic lanes that you might not have ventured otherwise. So yeah, check it out, there’s something to love in here for everybody.