I was curious so I just looked back on how I labeled all of my old reviews on David’s books, as he’s the writer but usually only the artist on some of the comics. I was all over the place over the years, sometimes calling him an editor (which I’m sure he is too), sometimes listing the various artists, usually not. This is all to say that all of those names in the tags? Those are all of the artists in this issue. I never go story by story in these reviews, so if you liked one piece in particular, look up that artist why don’t you? Christ, now I’m telling people how to use the internet. OK, moving on. This is another collection of short pieces by David and friends (nothing is longer than a couple of pages this time around), and it’s yet another solid pile of stories. If you’re thinking that “yet again” is a slam, no it is not. Somebody putting out quality work on a consistent basis should never be taken for granted. Stories this time around deal with whether or not the Titanic cracked in half before sinking (I had no idea that this was a controversy for decades before the wreckage was found), explaining the gap in observable work between comic writers and artists, car people vs. non-car people, the disturbing process of “weeding” in public libraries (basically pulling books from the shelves permanently that haven’t been checked out in a certain number of years), trying to do a nice thing for a new writer, how some painful memories may be ridiculous but still manage to haunt you, rejecting the cop-out answer that saying you believe in god doesn’t hurt anything because you’re covered if it does or doesn’t exist, how the official Star Wars Celebration has changed over the years, and being yelled at by an automatic fridge to close the door. That last one was illustrated by Peter Conrad, another one of those artists who were around in the early days of the website but I’ve since lost track of. Well, he’s still making comics, which is always a positive sign. I mentioned maybe half of the stories in here, so that leaves plenty of surprises for you to find. So, to recap: are these great stories that I will enjoy? Yes. Are there a wide variety of stories so that I’ll still like plenty of them even if some of them aren’t for me? Also yes. When in doubt, should I just throw money at indie comics in case I like them, because even if I don’t like a particular issue that still means that the artist is more likely to make comics in the future? Absotively yes. All clear?
Robertson, David (and Various Artists) – Mount a Rescue
September 4, 2020Mount a Rescue
Thanks a lot for confirming that I need new glasses David! The afterward/credits was officially too small for me to read with glasses on. Which reminds me of a favorite story from this collection, where he compares his reactions to Homer Simpson over the years (when he was much younger than Homer, about his age and actually older than Homer; had the same thought myself recently). This is another collection of stories written by David, about 2/3 (purely a guess) with other artists and the rest he drew himself. This one opens up with a great story about his appreciation of Blade Runner, both the movie, the book, the comics adaptation (which I somehow missed) and of course the score. He goes over the various versions that have come out over the years; he’s also the first person I know of who actually liked the version where Harrison Ford narrated bits of it. If you love the movie too this is fantastic, if you don’t or haven’t seen it this will probably convince you to give it a fresh look. Ah, but what version? Other stories include a caller who claims to have proof of the existence of god, a diary of a day in his life broken up into hourly segments, a story of the discovery of a deep sea diver (in his afterward he mentions his confusion of the end of Planet of the Apes as a child, having no idea what the Statue of Liberty was), tea bags vs. tea leaves, Luke dealing with some conflicting advice from Yoda, trying to relate at an office party, performing your comics out loud, sleep apnea, people complaining about older or younger generations, a butter prank that was killed too soon, a revolt against beauty cream, feelings of hatred long after you forget the reason for the hatred, asking to borrow a kilt, how so many previous heroes have ended up problematic now, and how Mr. T’s fear of planes kept him from going to space like all the other members of the A-team. And even more stories, but aren’t surprises fun? As always, very few people pack as much into a comic as David, with a variety of art styles, which will lead you to even more comics people that you like. Check it out!