I was curious so I just looked back on how I labeled all of my old reviews on David’s books, as he’s the writer but usually only the artist on some of the comics. I was all over the place over the years, sometimes calling him an editor (which I’m sure he is too), sometimes listing the various artists, usually not. This is all to say that all of those names in the tags? Those are all of the artists in this issue. I never go story by story in these reviews, so if you liked one piece in particular, look up that artist why don’t you? Christ, now I’m telling people how to use the internet. OK, moving on. This is another collection of short pieces by David and friends (nothing is longer than a couple of pages this time around), and it’s yet another solid pile of stories. If you’re thinking that “yet again” is a slam, no it is not. Somebody putting out quality work on a consistent basis should never be taken for granted. Stories this time around deal with whether or not the Titanic cracked in half before sinking (I had no idea that this was a controversy for decades before the wreckage was found), explaining the gap in observable work between comic writers and artists, car people vs. non-car people, the disturbing process of “weeding” in public libraries (basically pulling books from the shelves permanently that haven’t been checked out in a certain number of years), trying to do a nice thing for a new writer, how some painful memories may be ridiculous but still manage to haunt you, rejecting the cop-out answer that saying you believe in god doesn’t hurt anything because you’re covered if it does or doesn’t exist, how the official Star Wars Celebration has changed over the years, and being yelled at by an automatic fridge to close the door. That last one was illustrated by Peter Conrad, another one of those artists who were around in the early days of the website but I’ve since lost track of. Well, he’s still making comics, which is always a positive sign. I mentioned maybe half of the stories in here, so that leaves plenty of surprises for you to find. So, to recap: are these great stories that I will enjoy? Yes. Are there a wide variety of stories so that I’ll still like plenty of them even if some of them aren’t for me? Also yes. When in doubt, should I just throw money at indie comics in case I like them, because even if I don’t like a particular issue that still means that the artist is more likely to make comics in the future? Absotively yes. All clear?
Posted by Kevin 
