Mount a Rescue
Thanks a lot for confirming that I need new glasses David! The afterward/credits was officially too small for me to read with glasses on. Which reminds me of a favorite story from this collection, where he compares his reactions to Homer Simpson over the years (when he was much younger than Homer, about his age and actually older than Homer; had the same thought myself recently). This is another collection of stories written by David, about 2/3 (purely a guess) with other artists and the rest he drew himself. This one opens up with a great story about his appreciation of Blade Runner, both the movie, the book, the comics adaptation (which I somehow missed) and of course the score. He goes over the various versions that have come out over the years; he’s also the first person I know of who actually liked the version where Harrison Ford narrated bits of it. If you love the movie too this is fantastic, if you don’t or haven’t seen it this will probably convince you to give it a fresh look. Ah, but what version? Other stories include a caller who claims to have proof of the existence of god, a diary of a day in his life broken up into hourly segments, a story of the discovery of a deep sea diver (in his afterward he mentions his confusion of the end of Planet of the Apes as a child, having no idea what the Statue of Liberty was), tea bags vs. tea leaves, Luke dealing with some conflicting advice from Yoda, trying to relate at an office party, performing your comics out loud, sleep apnea, people complaining about older or younger generations, a butter prank that was killed too soon, a revolt against beauty cream, feelings of hatred long after you forget the reason for the hatred, asking to borrow a kilt, how so many previous heroes have ended up problematic now, and how Mr. T’s fear of planes kept him from going to space like all the other members of the A-team. And even more stories, but aren’t surprises fun? As always, very few people pack as much into a comic as David, with a variety of art styles, which will lead you to even more comics people that you like. Check it out!
To every comics artist out there who worries endlessly about putting out comics on a regular basis, you could do a lot more than emulating David. The bulk of his stories are short, usually only a few pages long. This lets him submit comics for all kinds of anthologies, and every year or so he has more than enough material to put out a book of his own. See how easy it is? Granted, lots of artists only deal with larger stories, but at least having the ability to work on shorter stories would be a nice change of pace for whenever you get stuck on whatever epic you’re working on. So hey, enough of the life advice, how about this comic? The bulk of these 40 (!) stories are written and drawn by David, with about a dozen of them coming from other artists. There’s no central underlying theme, just a big old pile of stories about all sorts of things. OK fine, his “I Live With a Killer” stories (about how his cat brings him pieces of various animals it’s killed) have a connecting theme, but they’re the exception here. Other highlights include the final thoughts of thelast two survivors from a plane crash, our first encounter with aliens, petty space station revenge, the man who’s always falling in love, the story and fate of Dolly the cloned sheep, a story of a missile attack (written by his son I think?), the concept of putting people in concerts who just want to talk for the whole show in their own section, exactly how much of your life you waste on vacuuming, skipping an internet video only to see it on the actual news later, a comic about making a comic that sort of eats itself (drawn by Zu Dominiak), the story a mouse brings back home after nearly being eaten, the robot and the monster, and the inner lives of a couple of flies. That’s what, not even half of the stories here? It’s another pretty fantastic bunch of stories from David, and if you’ve somehow gotten this far in life without seeing his work this is a solid chunk of comics to start with. No price listed, so I’m going to guess the arbitrary number of $10. Contact David and I’m sure he can set you straight…
RIP to Dump, as David says in the afterward that this is the last issue. But he is starting off another comics series and is going to put out the collected Berserkotron, so if you’re a fan you have nothing to fear. If you’re not a fan, why hello there, allow me to try to convince you that you’re missing out! This is a collection of stories, all written by David, with roughly 2/3 of them illustrated by David too and the other 1/3 illustrated by other artists. The final chapter of Dump and the experimental story “November” take up about half of this hefty comic, but I’ll get to those in a minute. Subjects of other stories include whether or not you give a fuck, the consequences of spying on people at 3am, an excellent closed loop of a nostalgic time travel story, running into the former most popular kid in high school many years after the fact, an orb, whether or not it is good to feel pain, that thing you sense in your room while you’re sleeping, being attracted to a random stranger on tv, the Bum Monster, dreaming of teeth, making a wish, playing the music festivals, the decline of sales of televisions and wishing to be enveloped by another human. That’s all suitably vague and enticing, right? Nothing to alarm anyone with possible spoilers. I thought the Dump story had a damned fine ending to the overall story, but my memory of continuing stories in comics that only come out every few years can be hazy, so who knows? It worked just fine on its own regardless. Finally there’s November, which is a collection of strips from November (duh) that I really wanted to like more than I did. Oh, I liked the content of them just fine; the one about his old cat, the Garfield parodies, being trapped in a car with a farter, how Do The Right Thing is just as relevant now as when it was released, etc. The problem is that all the strips were done in pencil (undoubtedly to make it easier to meet the requirements of a strip a day), which is just plain old uglier in collected form, especially compared against the other stories in the comic. Still, some slight aesthetic problem I have with it is no reason to scare anyone else away, as if you can get past that the actual strips in that section were thoroughly engaging. It’s a fine end to a fine series, and David really might want to consider giving this series the collected treatment too in a few years. In the meantime, enjoy the finale! $5
Does this actually not say “#2” on the cover? No, I guess not. I had a few questions about various things in this one before I started (that cover, the abrupt ending of the Dump story) but David covered all that in his afterward, so never mind. This one starts with the second part (of three) of the “Dump” story, this time focusing on our hero as he gets more and more miserable at work, but he does finally meet somebody he can talk to and commiserate with. I love the little touch of the Garvo-Munchers, little horror shows of eyeballs and tentacles, amidst the generally mundane tone of the rest of the story. I’m looking forward to the finale of this one in the next issue, although he might want to put the whole story in one comic when it’s finished, considering the average attention span in this day and age (myself sadly included in that). The short pieces in here dealt with trying to remember the name of that one actor guy, a bicycle ride with a nice ending, overthinking things at a party, trying to come up with a good argument in favor of voting, coleslaw, appreciating what you have and an informal history of e-mail and the internet. Read that last part and feel old! Or bitter at the youngsters because they’ve always had the answer to every question in the world at their fingertips. The other big story in this one (it’s a pretty hefty comic) is David’s 24 hour comic. He starts with a brief history of the 24 hour comics, mentions how one of the rules is to go into such things without a plan, and ends up with a pretty damned compelling comic. He goes into detail about his own history, how he always wanted to do comics but ended up trying a bunch of different things because he couldn’t see a way for comics to be taken seriously. This is where the internet comes in, as the message board for The Comic’s Journal helped all kinds of people from all over the world (David is in Scotland) come together. 24 hour comics can be a bit of a mess, so it’s always nice to see one put together as well as this, especially considering the conditions involved in making such a thing. Read it and enjoy, as there’s plenty to like in here. Don’t let that innocuous cover scare you off!