Robertson, David (With Various Artists)- Dump #3
RIP to Dump, as David says in the afterward that this is the last issue. But he is starting off another comics series and is going to put out the collected Berserkotron, so if you’re a fan you have nothing to fear. If you’re not a fan, why hello there, allow me to try to convince you that you’re missing out! This is a collection of stories, all written by David, with roughly 2/3 of them illustrated by David too and the other 1/3 illustrated by other artists. The final chapter of Dump and the experimental story “November” take up about half of this hefty comic, but I’ll get to those in a minute. Subjects of other stories include whether or not you give a fuck, the consequences of spying on people at 3am, an excellent closed loop of a nostalgic time travel story, running into the former most popular kid in high school many years after the fact, an orb, whether or not it is good to feel pain, that thing you sense in your room while you’re sleeping, being attracted to a random stranger on tv, the Bum Monster, dreaming of teeth, making a wish, playing the music festivals, the decline of sales of televisions and wishing to be enveloped by another human. That’s all suitably vague and enticing, right? Nothing to alarm anyone with possible spoilers. I thought the Dump story had a damned fine ending to the overall story, but my memory of continuing stories in comics that only come out every few years can be hazy, so who knows? It worked just fine on its own regardless. Finally there’s November, which is a collection of strips from November (duh) that I really wanted to like more than I did. Oh, I liked the content of them just fine; the one about his old cat, the Garfield parodies, being trapped in a car with a farter, how Do The Right Thing is just as relevant now as when it was released, etc. The problem is that all the strips were done in pencil (undoubtedly to make it easier to meet the requirements of a strip a day), which is just plain old uglier in collected form, especially compared against the other stories in the comic. Still, some slight aesthetic problem I have with it is no reason to scare anyone else away, as if you can get past that the actual strips in that section were thoroughly engaging. It’s a fine end to a fine series, and David really might want to consider giving this series the collected treatment too in a few years. In the meantime, enjoy the finale! $5
Robertson, David (and various artists) – Dump #2
Does this actually not say “#2” on the cover? No, I guess not. I had a few questions about various things in this one before I started (that cover, the abrupt ending of the Dump story) but David covered all that in his afterward, so never mind. This one starts with the second part (of three) of the “Dump” story, this time focusing on our hero as he gets more and more miserable at work, but he does finally meet somebody he can talk to and commiserate with. I love the little touch of the Garvo-Munchers, little horror shows of eyeballs and tentacles, amidst the generally mundane tone of the rest of the story. I’m looking forward to the finale of this one in the next issue, although he might want to put the whole story in one comic when it’s finished, considering the average attention span in this day and age (myself sadly included in that). The short pieces in here dealt with trying to remember the name of that one actor guy, a bicycle ride with a nice ending, overthinking things at a party, trying to come up with a good argument in favor of voting, coleslaw, appreciating what you have and an informal history of e-mail and the internet. Read that last part and feel old! Or bitter at the youngsters because they’ve always had the answer to every question in the world at their fingertips. The other big story in this one (it’s a pretty hefty comic) is David’s 24 hour comic. He starts with a brief history of the 24 hour comics, mentions how one of the rules is to go into such things without a plan, and ends up with a pretty damned compelling comic. He goes into detail about his own history, how he always wanted to do comics but ended up trying a bunch of different things because he couldn’t see a way for comics to be taken seriously. This is where the internet comes in, as the message board for The Comic’s Journal helped all kinds of people from all over the world (David is in Scotland) come together. 24 hour comics can be a bit of a mess, so it’s always nice to see one put together as well as this, especially considering the conditions involved in making such a thing. Read it and enjoy, as there’s plenty to like in here. Don’t let that innocuous cover scare you off!