Farrell, Greg – Yo! Burbalino #1

May 9, 2010

Website

Yo!  Burbalino #1

Hey look, another random mini comic!  Greg was nice enough to send along the first few issues of this series, so we get to see him develop as an artist a little bit.  Or I do at least; for all I know whoever is reading this stumbled here by accident while looking for porn.  This is a series of random stories, mostly dealing with a chef and his friend Earl (who happens to be a squirrel).  Their bits include Earl betting Chef Don that his lawn mower was so weak that he (Earl) could safely sit under it, Chef Don making a conceptual pizza for his wife, an actual recipe for chestnut lentil pate (or at least it looks real to me), and Don winning a monkey at a fair and seeing his plans to make money off its dancing fall apart.  There are plenty of other bits in here unrelated to those two as well, dealing with a funny gag for hypochondriacs, why they call Greg Electro Boy (and oddly enough I know exactly what he’s talking about here), an excellent strip called Muffin McGuffin (and if you don’t know what a McGuffin is, that’s what the internet is there for), and Is This Your Leotard.  He even manages to throw in a few funny short strips, which is no easy feat for anybody.  As for troubles, there are a couple of egregious spelling errors (but overall it’s OK, which makes these whoppers stand out even more) and the art looks awful at the start of that lawnmower strip, but that improved pretty steadily over the course of the book.  So, to sum it all up, it’s another first issue that shows some promise, but I won’t be able to see if he realizes that promise until I see a couple more issues.  Odd how it turns out this way so often…  $3


Update for 5/8/10

May 8, 2010

New review for The Fifty Flip Experiment #10 by Dan Hill, and he was nice enough to send plenty of these comics along, so expect to see more of his stuff in the near future.  Oh, and as I’m lacking a formal way to keep you guys updated on the rental thing other than these site news updates, I finished cataloging all the comics that I’m going to be offering for rental that aren’t under the umbrella of one of the comic companies who also gave me their OK.  Believe me, once I get the comics from those two companies listed that total will more than double, but for now, if you’re thinking about giving this a shot, it’ll start off with at least 550 comics of over 100 small press folks available for rental.  Old stuff, new stuff, no matter who you are there will be comics in here you’ve never seen before.  Just throwing that out there, I had to do something to make it clear that work is still progressing on this thing…


Hill, Dan – The Fifty Flip Experiment #10

May 8, 2010

Website

The Fifty Flip Experiment #10

There’s a lot to be said for simple consistency, the continued ability to put out funny, interesting comics on a regular basis.  Dan, at the very least, has that down.  He managed to put out one of these every 2 months for a couple of years there, no small feat in the mini comic community.  This issue was done a little over a year ago and it looks like he’s only put out three issues since, which means that he slipped up a little bit.  Or you could look at it another way: how many small press people do you know that managed to put out three issues of anything in the last year?  It’s a much smaller list than it should be.  On to the comic, as I sure can meander off topic.  This starts off with a pretty funny text piece based on This American Life, Ira Glass and David Sedaris.  Well, I thought it was funny; your mileage may vary based on your familiarity with those people and/or that show.  The comics end up dealing with utter randomness, including the shortest friendship ever, a married couple completing each others’ sentences, some hyper-literary nonsense that has to be read to be believed (I tried summing it up but it’s impossible), apology lines, a unicorn who thinks we need a strong Israel, and Spoons For Hands Man crapping all over everything.  There’s also the chunkiest part of the comic in the middle, and it’s all about a zombie waking up his dinosaur steed, shooting an alcoholic owl and running over Hunter S. Thompson.  All of that only scratches the surface of the nonsensical hilarity of the comic, and it’s only nonsensical for the parts I didn’t understand, but they probably had a deeper significance that flew right over my head.  These random piles of funny have really grown on my over the last couple of years, you should think about getting a few of these so you can see where I’m coming from.  $2


Update for 5/7/10

May 7, 2010

New review for a new webcomic: The Adventures of Ace Hoyle by Phill Provance & Tomas Batha.  Full disclosure here: I don’t normally review webcomics, but they offered to pay me for my honest opinion of the series.  As I was still able to say whatever I wanted and was not reduced to shilling for the strip for cash, I figured that was ethically acceptable.  As for the site in general, I’m doing a review a day again until I can start to get this mound of comics under control, which means weekend updates too.  The call for this rental service has led to all sorts of new stuff being sent here, and I still haven’t even cracked open my pile of books from SPACE.


Provance, Phill, Batha, Tomas (#1-9) & Arce, Edgar (#10-20) – The Adventures of Ace Hoyle #1-20

May 7, 2010

Website

The Adventures of Ace Hoyle: Web comic episodes #1-20

It’s best if I make one thing clear at the outset: I play a fair amount of poker.  I’ve also been known to watch bits of the occasional tournament on television, or at least the overly dramatic parts while flipping channels.  That being said, there was at least one bit of this series that baffled me in a technical way, and I do love to throw some negativity into what would otherwise be a positive review.  How is it that the card hand played in episode 11 and 12 is the “opening hand”?  Didn’t we see our hero Ace Hoyle fold on the opening hand? It was altogether baffling to me, and seemingly only used to get rid of a couple of people at the final table.

Chances are I should go back to the beginning before asking questions about the middle, so for the uninitiated Ace Hoyle: The Golden Thread is a new webcomic.  Writer Phill Provance and artist Tomas Batha put out a weekly comic dealing with the, well, adventures of Ace Hoyle.  Duh.  So far it’s just the one adventure, as the first 20 strips deal with Ace making it to the final five of the big poker tournament.  There’s also some serious funny business going on with a side character and possibly Ace himself, but these things are only hinted at and are left for future strips.  Or at least I hope they’re left for future strips.  If they’re just oddities for the sake of being odd that’s some lazy storytelling right there.  These two do seem to know what they’re doing though, so they deserve the benefit of the doubt on that front.  Instead of going through these one by one (as I never do that for pages of a comic, so why do it for episodes of a webcomic?), I’ll break it down by how certain chunks held together.

Episode 1: OK, this one deserves a mention all its own.  The introduction to Ace Hoyle, he tells us how awesome his life is, and then declares that he’s there to win.  This is the first hint to a troubling conclusion I’ve drawn about the series, but I’ll save that for later.

Episode 2-5: We learn about the other 4 people at the table (Russian twins, a lucky yokel named Hank and Ace’s nemesis from past years called Dick Spadely, although I’m not sure if “nemesis” is the proper term for somebody that Ace seems to beat every year), have some minor drama when Ace just barely makes it to the table before the 15 minute grace period is up, and even the card dealer is given an introduction.  We meet a mysterious lady in blue who tries to call Ace to get him to the table; she’ll come into play later.  Episode 5 also has one of the few artistic rough spots, as that shot of the five players sitting around the table just looks sloppy.  Dick’s face appears to have melted, Hank’s hat is gray instead of its later pink, and Ace has a fish eye.  Again, I point this out because the art is consistently expressive for the rest of the strips, but this chunk looks like it was finished two minutes before the deadline.

Episode 6-8: Probably my favorite chunk of the series so far, and that’s because this deals with an important subject: poker.  We get to see how the lucky new guy deals with being dealt pocket aces (spoiler alert: he’s not good at hiding his emotions), Dick’s tell, Ace’s decision to fold, and the Russians with their bluffing.  My main problem with this is that it fades away to another character after #8 and we’re left wondering what happened.  I get the artistic decision to do so, as they can’t spend the entire strip on every little facet of playing poker, but the choice to leave this hand leads straight to my later confusion of how two players got knocked out on the opening hand while there was every indication given that Ace folded on the opening hand.

Episode 9-10: We meet “the Finegold girl”, the same woman who tried to get Ace to the table earlier, as she gets her ass slapped with mysterious vanishing orange ink and a suspicious man, upon seeing her, says that that “this might actually work better than I expected”.   What’s going on here?  No idea, but we’ll figure that out in the next issue.  Right?

Episode 11-13: We see the “opening hand” that confused me, the forcible removal of one of the losers, and the slow disintegration of another player.  We also see that “the Finegold girl” has a very good idea of how the mind of Ace works, as she watches the hand at a bar and tells the bartender exactly what’s going to happen.

Episode 14-16: The Finegold girl (sorry, if there was a first name given I flat out missed it), a little drunker than she thought, sees the man who slapped her ass and gives chase.  There’s also a little bit of set-up for the final poker hand.

Episode 17-20: Ace and Dick are both dealt pocket aces!  The Finegold girl thinks she tracked down the creep who put vanishing orange ink on her ass!  We get some serious trash talk between Dick and Ace!  And they even had the decency to leave things on a cliffhanger!  Sorry, once I get started with the exclamation points it’s difficult to stop.

So what’s the verdict for the series?  There’s a problem with the coloring, as Hank’s hat shifted from gray to pink and back to gray.  It’s a minor thing, granted, but it’s easily fixed.  Hell, they could go back in now and fix the coloring, or at least do it before this is put out as a physical comic.  On the plus side there’s a fascinating cast of characters and a burgeoning mystery to be dealt with.  Is Ace’s late arrival to the poker table a part of that mystery, or was that just a way to rattle his opponents?   That leads me to my main problem with the series so far: Ace Hoyle.  I know, it’s hard to like a strip if you don’t care for the main character.  Ace seems, at least so far, like a low-rent James Bond.  I’m hoping there’s more to him in future issues, but it’s always hard to identify with a man who can do no wrong.   Still, there’s way too much good here to dismiss it.  Tomas does an excellent job of capturing the emotions going through these poker players at various times in the game, and Phill does seem to have a master plan going for the whole thing.  Overall, I land somewhere around optimistic but not fully convinced.

UPDATE: Turns out Edgar Arce took over for Tomas Batha at Episode #10.  Right around the time that the art seemed to noticeably improve.  I probably should have caught that, what with me being a “professional” and all.  Oops…


Update for 5/6/10

May 6, 2010

New review for Disco Slaughterhouse #1.  I’m still not sure what the tag phrase on it “The World’s Most Obscure Phenomenon” means, but it is catchy.


Jeffrey, Nick – Disco Slaughterhouse #1

May 6, 2010

E-mail

Disco Slaughterhouse #1

Poor Nick Jeffrey.  He had a perfectly decent website, couldn’t keep up the costs (because you cheap bastards apparently didn’t buy enough of his comics, or perhaps you did buy enough of his comics and he spent it all on booze) and had somebody else take over the site and fill it with poetry.  I’m sure there are worse fates for a website, but if I eventually run out of money to keep this site going, I’d like somebody in the porn industry to buy it and at least have the decency to fill it with naked people.  There, somebody make a note of that for their “in case I get hit by a bus” file.  As for this comic, there are times when a cover tells the whole story, and this one succeeds admirably on that front.  There’s an old fat man (Mr. Anderson) who gets hired for a job with an advertising agency.  This agency, sadly, didn’t know that Mr. Anderson was old and fat, they thought they were hiring someone young and fresh.  Fired from his new job and with the case thrown out of court (as the judge didn’t sympathize with him either), he finds a way to get in shape and get the respect he deserves: steroids.  He is hired back on, but this time as the coach of a youth soccer team and, well, you can guess what happens next from that cover.  His team ends up playing a team of fat kids and makes fun of all the fatties, causing a flashback to his traumatic fat past, which leads to one of the bloodier scenes of a group of small children getting torn apart that I’ve ever seen.  Not that I’ve seen a whole lot of scenes of children getting torn apart.  It funnier than you might think, or at least it is if you’re like me and children mostly annoy you and you have enough of a functioning brain to see that this is a work of fiction.  That description of mine maybe makes this seem a bit dry, but there are funny bits throughout.  From the beginning strip with the squirrels (if I’m not mistaken they haven’t been seen since the days of Hillbilly Sex) to the products that the advertising agency comes up with to World’s Sexiest Baby 2007, I was chuckling throughout this book.  That’s all I ever ask from a comic that isn’t trying to teach me something, and sometimes even out of those comics.  Unless you’re a real delicate flower this comic is a pile of funny and something you should check out as soon as possible.  $3.50


Update for 5/5/10

May 5, 2010

Happy Cinco de Mayo!  Don’t forget to hug your racist relative today!  New review for Folkomix #1 by Brad W. Foster.  Brad also has a few new things up in the store: Late One Night, First There Was The Scribble, The Eternal Conflict, Cat in a Box, Welcome to Camp Skiffy and, of course, Folkomix #1.  Brad sent along many more comics than that for the store, but as he packed them so neatly into tiny bundles I figured it would be better to dribble a bundle at a time into the store.  Oh, and these are all from the 80’s and early 90’s, so if you happened to catch that new Fantagraphics retrospective of small press comics in the 80’s, this would be an excellent way to keep peeking into that era.


Foster, Brad W. – Folkomix #1

May 5, 2010

Website

Folkomix #1 Now Available!  $.75

1985!  That’s when this comic came out.  The answer to this would probably depress me if I knew it, but how many of you were even alive in 1985?  Sigh.  Anyway, I picked this to review from the pile of Brad’s comics more or less at random, and he was nice enough to send in a whole bunch of mini comics from the 80’s and early 90’s.  How well do you know your comics history?  Were you aware of the recent Fantagraphics collection of minis from the 80’s?  Maybe you should look into this stuff, get in touch with some small press roots.  This comic is a response to a critic that apparently told Brad 25 years ago (christ) that he couldn’t draw a fly.  He made his style as simplistic as possible and drew a comic that is essentially a family portrait of yokels, including the farm animals, tractor and the family sitting down for supper.  He even threw in some flies on the back cover, just to show that he could, in fact, draw them.  There will be very many more of these minis gracing these pages soon enough, don’t you worry about that.  As for this one, it’s short, fairly amusing and cheap.  There are worse combinations.  $.75


Update for 5/4/10

May 4, 2010

New review for Trigger #1 by Mike Bertino, and it’s a brand new series of Trigger, not that older one you may be thinking of.  Unless you haven’t read any of them, in which case please ignore this disclaimer.


Bertino, Mike – Trigger #1

May 4, 2010

Website

Publisher’s website

Trigger #1

To everyone who has the Mike’s original trigger series in mini comic form (unless it was collected and I never heard about it): this comic has nothing to do with the other Trigger series.  Or at least it doesn’t in any way that I can see, but it has been a few years since I read that series.  This comic, is everything that is good about comics.  Click on that cover just to see how impressive it is (go ahead, treat yourself).  As for the comic itself, there are three stories, and it’s been ages since I’ve seen a comic where the pieces involved are so absolutely different from each other.  The first story is called Grown Ups and it seems to be the only one of the pack that is going to be continued later.  It’s all about the first day of a young teacher who has moved over from teaching P.E. and has gone onto history, his interactions with his students and his meeting a fellow teacher out for drinks.  That other teacher also had a couple of ladies with him, one of them seems to take a shine to our hero (named Conrad), and things progress from there, right into an excellent cliffhanger.  I’ve said this before with series that ended after one issue, but seriously: don’t leave me hanging here, OK?  The second story is hilarious, and a complete shift from the first piece.  It deals with two friends (one of whom has the hots on the waitress at their favorite bar), a waitress set on revenge, a gullible lunkhead of a bartender and some drunk teenagers.  Again, do y0urself a favor and embiggen that sample image.  Finally there’s Below Us, a dead serious tale about a young man who is getting messages through a new plate in his head and how it forces him to deal with some issues in his past.  Again, it’s damned rare for the first piece of a comic to be serious with a touch of humor, followed by (that rarest of things) a laugh out loud story, and capped off by a serious story dealing with past abuse and learning to live with it.  There are a misspelled word or two, as I’m legally required to point that out, but leaving that aside this is a damned near flawless comic.  If you’ve read Mike’s stuff over the years and maybe weren’t that impressed, or were confused because you only caught part of a larger story, check this one out.  It’s self-contained and brilliant.  $5


Update for 5/3/10

May 3, 2010

New review today for The Natural World #1 by Damien Jay.  OK, most of the cleanup of the site is done, with me just deleting most of the old pages with all the reviews of one person in one place and breaking them down into single pages for each issue.  If anybody has a problem with this and would prefer that I kept the big pages with all the comics in one place too, please speak now or they’ll be gone forever.  As for the comics rental thing, if all goes well it’ll get off the ground in the next week or so.  I’ll be limiting subscribers to only 10 for that first month (to make sure that everything is going to work as planned), so if you’d like to be part of the original ten for this just send me an e-mail now and I’ll make a note of it.  You will, at the very least, be able to say that you were there at the beginning of a grand comics experiment.


Jay, Damien – The Natural World #1

May 3, 2010

Website

The Natural World #1

Since I complain about this for other people, I have to be consistent: please put contact information somewhere in your comic.  Assuming any comic stores sell this, it’s entirely possible for this to be the only comic of yours a person picks up in any given trip, and making locating you even a tiny bit difficult could prevent that person from checking out more of your work.  We live in lazy, lazy times, and I am aware of the fact that typing “Damien Jay” in Google brings his website right up.   That’s fine for him, but when Jim Smith puts out a comic and doesn’t put contact information, the buyer is never going to find more of his work.  There, I managed to get some negativity in what was otherwise going to be a glowing review.  Whew!  This is a continuing series (and Damien was nice enough to send the first three issues, huzzah!) dealing with that creepy pilgrim-ish guy on the cover (and it took me until the end of the book to know for sure that it was a male), his brother (seemingly a local official of some kind), and a group of forced workers who are tasked with clearing some “cursed” thicket. The man on the cover (named Neeve) also goes out with his dog quite a bit in this issue, the dog finds something that isn’t revealed until the end of the issue, and far be it from me to spoil that great of a cliffhanger.  If this was a single issue I might have some complaints about it.  Where and when do these people live?  Why does Neeve start speaking in tongues (or something to that effect) when he gets freaked out?  What did those workers do to be forced into hard labor?  What is Neeve doing out there with his dog all the time?  Luckily I know for sure that this isn’t one of those “one and done” series, and all of those questions are simply tantalizing mysteries to be uncovered in the near future.  It’s great stuff and you should think about checking it out.  No price (hey, two negative things in the review!), but let’s say $5 because of that fantastic cover.


Stipetic, Kristina – Yasha Lizard #2

May 3, 2010

Website

Yasha Lizard #2

For the record, I don’t consider myself a critic.  When you see the sample (that I couldn’t help but use) you’ll understand what I mean.  Critics are often assholes who tear down the work of others out of some bizarre desire to puff up their own egos, and I have no interest in that.  I’m more of a semi-professional rambler whose main interest is in highlighting great work, and even when I do talk about a crappy comic I try to offer advice that will bring their next effort more up to speed, or at least closer to what I think they’re capable of.  Granted, I have no idea what that level is more often than not, but the main thing I ask for here is a basic level of competence (correct spelling, in the ballpark of correct grammar, no visible pencil lines in the finished product, etc.).  What does this have to do with this comic?  Not a damned thing, and I thank you for indulging me, as I just thought that should be on the “public record” somewhere.  This is ostensibly the story of Yasha Lizard, a (according to Kristina) “poor lizard with dreams of social mobility”.  Really this issue is mostly about the art world (as depicted in this Victorian-style representation, as populated by a large number of talking animals who walk upright), and about one artist in particular: Kreganthus Pigeon.  Kreganthus has hit it big, as he is apparently the first of this anthropomorphized group of animals who has made full use of his ability to see far more colors than everybody else and has an art show opening up.  He seems like a decent enough guy, if unaware that he’s being used by the art dealers, but runs into trouble when he sees an art thief trying to steal one of his paintings after his show.  Some brutality ensues, but the dealers know how to fix the problem: pick a new artist, jack up the prices of the work of the new guy and ensure that the show goes on.  I’ve seen enough glimpses of the art world to know how dead-on this story is, and the fact that it’s told using a bunch of cute creatures somehow doesn’t dull that impact.  As for her artwork, it’s frankly remarkable.  I read a lot of minis, as this is my mostly unpaid job, and very few of them come close to the level of detail involved in this issue.  Many artists (if not most) cut a few corners here and there, leave their characters talking in a blank white background, skimp on the movement lines, that sort of thing.  I just flipped through this again to confirm my initial impression, and it’s true: just about every panel has detailed, intricate backgrounds.  This reminds me of Gerhard doing the backgrounds for Cerebus back in the day: there was already plenty of detail in the characters, but adding those backgrounds improved the reading experience immensely.  I’m just talking about the look of the book, feel free to be offended by some of the views of the creator.  It’s rare that I see the second issue of a mini comic series and think that it’ll look fantastic in the collected edition, but… this will look fantastic in a collected edition.  Anybody with experience in the art world or in art shows should take a look at this and be amazed at the level of insight, everybody else should read this and be amazed by the artwork.  Don’t let any hatred of “funny animal” stories keep you from this, as it’s really a hell of a comic.  No price, but I’m going to say at least $3 for those backgrounds alone.


Brown, Box – Everything Dies #1

May 3, 2010

Website

Everything Dies #1

Once again, I should give thanks to the internet for leading random people to send me their comics for review.  Sometimes I take it for granted, and sure, I wouldn’t be getting them if I wasn’t willing to review them and all, but the sheer amount of stuff I’ve gotten over the run of this site that I never would have heard of otherwise is staggering.  I have no idea of the history of, um, Box, but this comic shines like something that’s been a long time coming.  That can’t be true, as he also sent along #2 of this series, so clearly he’s already just that good.  There are two main parts of this comic that I’ll get to in a second, but I have to hit the highlight (in a book full of highlights) first: his story of the creationism myth of all sorts of world religions.  There’s Voodoo, Zulu, Mormonism, Islam and Sikhism, not to mention oddities like Maidu and Scientology.  Granted, you could call all religions oddities and you wouldn’t get much of an argument from me, but you get the idea.  His matter-of-fact descriptions of these stories are brilliant without ever being condescending, a difficult task given the subject matter.  His whole comic is suffused with religion, again in a way that manages not to annoy a committed hater of nonsense (i.e. religion) like myself.  The rest of the comic is split into two bits: a monk student asking questions of his master and a modern version of the Biblical story of Job.  The story of Job is fantastic, as many parts of it are taken word for word from the Bible, but everything has been moved to a modern setting.  The questions from the monk are spread out throughout the issue, and serve as welcome breaks from the other pieces.  I can go either way on that sort of thing, but every last one of these was insightful without seeming pointless or cloudy.  It felt like this book was packed but yep, those are the parts of the comic.  They go together beautifully and I’m fascinated to see how he follows this up.  Just a real gem of a comic.  $5


Brodowski, John – Curio Cabinet

May 3, 2010

Website (at Secret Acres)

Curio Cabinet

Now his name can be told (again)!  John had asked me to shorten his name down to initials because of the Google, but if Secret Acres is publishing a collection of his work under his given name then the cat is most definitely out of the bag.  As for the comic, what needs to be said?  I’ve reviewed all four issues of this series and, as you can tell if you scroll through them, loved them all.  The great news here is that somebody finally put all these into one volume.  Frankly, I liked them a little bit better when they were all in magazine-sized issues, but can understand why they would want the collected edition to be in a more “traditional” size.  What’s this all about, for those of you who don’t want to read the old reviews and want all the pertinent information in this review?  There are several quiet, contemplative moments by Jason Voorhees (the Friday the 13th guy in his downtime, in a series of stories called “Cus Mommy Said So”).  Most stories in here are silent, actually, and nobody does it better than John.  Other stories in here include a lengthy squirrel obsession, the life and death of a miner, how to prove that you’re a rock and roll maniac, the early years of a Gumby-ish creature, a kidnapping giant bat creature (who clearly enjoys rubbing it in, judging from that last panel), and Jason finally achieving peace.  This edition also has more than a few full page images, all gorgeous in their level of detail, and if I’m not mistaken at least a few of them are new.  Or I am mistaken, but who cares?  They’re gorgeous.  It’s impossible to miss the level of detail that John puts into every little thing, and this book actually changed the way I looked at Jason (when I watched the fairly stupid and recent remake).  Now that all of this goodness is packed into one volume, there is no longer an excuse not to read it.  Granted, they’re mostly silent pieces, so if you’re against that sort of thing you have a reason to stay away.  Still, that’s something I’m occasionally against myself (depends on my mood), and John is such a master of manipulating emotions through these silent pieces that he’s guaranteed to win anybody over.  Check around that Secret Acres website if you need a little more convincing, but this gets my unreserved recommendation.  I’d throw in a money back guarantee if I was selling it, that’s how much I loved it.  Buy it already, make John rich and famous and reward your own personal awesomeness with this book! $15


Norhanian, Aaron – Bad Energy

May 3, 2010

Website

Bad Energy

Aaron asked me in his letter to be brutally honest in this review, so I’ll start off with my main problem with the book: the utter lack of contact information.  It’s a moot point for me, as he included his name and website with the book, but always, ALWAYS assume that somebody somewhere is going to see your comic at a store, or see it sitting at your table during a con (during the five minutes you leave your table).  They’ll pick it up, chances are with other comics (at either a store or a con, as who only buys one comic?),   and when they read it later they might check online for some of their favorites, but comics like this with no information of any kind get set aside and forgotten.  Go ahead, try just searching for “Bad Energy” online.  The closest you get is the “Gimme Shelter” logo on the back, which happens to be more or less the name of his blog.  So: always include some kind of contact information somewhere in your comic!  Now that I have that out of the way, on to the other things I didn’t like.  There was… hm.  Nope, I pretty much liked the comic itself.  This is the story of The Cartoonist, constantly belittled by life for his silly “hobby”, always managing to go on in a world of negative energy and contempt for him.  All of this energy ends up in his comic, with disastrous consequences for the rest of the world.  This was a thoroughly engaging “fuck you” to the rest of the world.  The art was fantastic (I suppose it is possible to go wrong with brains flying out of the back of the head due to reading comics, but Aaron depicts it beautifully), the story wrapped itself up nicely and the whole thing was the perfect length.  Not too much to complain about, is there?  So you have my one complaint that has nothing to do with the content of the book, then my unreserved praise for the rest of it.  Make up your own minds.  Oh, and there is no price, which is also a pet peeve of mine, but somehow significantly more minor.  I’m guessing $2 for no reason at all.


Ford, Sean – Only Skin #5

May 3, 2010

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Only Skin #5

Well that sure cleared a lot of things up.  I went back and read the first four issues of this series again and came away even more impressed with Sean’s attention to detail.  Cassie and Clay, for example, were clearly named because their father has a poster up in his apartment of Cassius Clay, it’s starting to look like Paul is going to play more of crucial role in this series than I had originally thought (based on new information about his medical condition and the fact that we still don’t know exactly why we moved to town), the sheriff’s insistence of sticking to the book and trying to arrest trespassers for going into the forest is going to get them all killed, and Albert is looking more and more shady all the time.  Oh, and Sean’s skills as an artist improved tremendously from the first issue, even though I don’t recall thinking it looked bad to begin with.  So what happens this issue?  Jordan drags Clay further into the forest, more ghosts are discovered, the identity of the original ghost is still not determined (although it sure seems like it’s their dad), Rachel is determined to be the textbook definition of a home-wrecker, that deer they hit at the end of the last issue has mysteriously vanished, and Cassie starts her own journey into the forest (on foot).  And I think I complained about the pace in which these issues come out in the last review, but looking back this is the fifth issue at the start of 2010 and the series started in 2007, so that’s a pace of better than an issue a year.  Blistering speed for most small press series, and it’s not like Sean is able to make a living off this stuff (yet, he sure has the talent to do so eventually), so I shouldn’t complain.  It’s mostly because this is such a fascinating series, and finally reading them all in a chunk really brings home how great this is going to be as a graphic novel.  But that can’t happen until the whole series comes out, or until he has enough of this done to make sense as a self-contained story, so I’m all for keeping up the gentle nudging to help make that happen.  $4


Enrico, Robin – Life of Vice #1

May 3, 2010

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Life of Vice #1

Robin is taking a break from the Jam in the Band series to flesh out one of the characters from that series (and change up the style a bit, as he was getting sick of the documentary style of making comics): Becky Vice.  I’ve only the first of the two books out (so far) from that series, but she didn’t ring any bells for me.  Of course, I also read it a couple of years ago, and the chances of me remembering a side character from that among all the comics I read is slim indeed.  Anyway, the first book of this series is all told as flashbacks, as Becky Vice is being interviewed by a college reporter on their way to her hosting the American Pornography Awards (quite possibly not a real thing).  It’s clear from the opening panel that Robin is going in a bit of a different direction, as it’s a clear homage to the opening scene in Fear and Loathing in Las Vegas (by Hunter… aw, screw you if you don’t know about that book).  Robin has also decided to take away the panels, which really opens up the feeling of the book.  The interviewer quickly learns that the best way to get Becky to open up about herself is for her to open up about HER life, and this issue details the childhood of Becky, how she got out of a repressive (but loving) childhood, her early days drinking in trailer parks, and how she eventually got her band started.  There’s music playing constantly during these stories (as the whole thing takes place in the car as they’re going to the awards show), so feel free to award yourself some bonus cool points if you can guess the songs.  I thoroughly enjoyed this book.  Robin took the Gonzo style of reporting and made it his own, which is something many people have tried over the years and so very few of them have succeeded.  He explains this at the end so it feels like cheating, but this is  not thinly veiled autobio, and that was very clear even before his afterward.  And I thought that picture of Becky detailing all her injuries looked an awful lot like the back cover for Have A Nice Day by Mick Foley!  He took interviews (known to him as “drunken conversations”) and built them up into a believable and realistic life story for two young women.  There’s another issue that he sent along with this, so I’ll get an even clearer picture of this series, but there is certainly not a thing wrong with this first issue.  $3


Siergey, Jim – Nart… Again

May 3, 2010

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Nart… Again

So I take it that title means that there was a previous issue I missed?  Oh well.  This is one of those comics that is impossible to properly review, as it consists of 7 one panel funnies.  That cover is brilliant.  If you agree with that statement you’ll probably like the rest of the book, if not this might miss your particular sense of humor.  So now what?  I can either describe the remaining 6 panels in detail (actually 5 panels, as one is the sample below), draining them of their power of funny, or just mention that his website is listed above has various sample of various things (including some oddities I haven’t seen before, namely ways to assemble your own gags) and leave it at that.  As usual, I’ll try to split the difference.  I found four of the remaining five gag panels some degree of funny, although one of them a groan-inducing way, if that makes any sense to you.  Eh, just read the samples and make up your own mind.  As I’ve already given my opinion, that works, right?  $1