As always with gigantic anthology collections like this, I like to make it easy on the reader. See that list of contributors in the tags? How many of your favorites do you see in there? Probably quite a few, huh? Then what’s left to think about? For the rest of you, or if you’re just trying to kill time at work, now I’ll say some stuff, then we can both go about our days. Hm, that seems like a grim way to sum up reviewing. Anyway! This is a collection of stories from people who are at their lowest points in life, so if you’re going into this expecting a barrel of laughs, you’ll be disappointed. There are some laughs, sure, as laughter can be the only way to get through some truly horrific times, but mostly it’s just sad. My biggest fear going into this, honestly, was seeing the worst parts of the lives of some of my favorite artists, but outside of a few of them, the artists were drawing the tales of people who submitted their stories anonymously. No, I’m not going to reveal which artists told their own stories; if you’re that curious about them get your own copy. There are also websites in the back so that anybody going through a similar issue in their own lives can get some help, so if you’re seeing too much of yourself in any of these stories, please do so. Not that you need to hear it from me, but I thought I’d throw it out there, because who knows when it’ll start seeming like good advice. There are roughly 40 stories in here, so I’m not going to go through them one by one, but I’ll give you some “highlights.” Subjects deal with reaching out for the last time and having it work out, the first time taking crack, getting beat up by cops (this one pops up more than a few times, which sadly isn’t shocking), using whiskey in a bong, getting addicted to voyeurism, a series of bottoms (a recurring theme was that there was rarely just one lowest point), having an imaginary dog, and very, very many slow descents to the bottom. It’s grim stuff, but it can also show you that there’s hope in even the worst times, as all of these people are still here to tell their stories. Get help if you need it, and give this comic a shot to see that however bad your situation is, there are people out there who have gone through something similar. $15
It feels like it’s been months since I’ve reviewed an anthology, but I think we all know the basic rules by now. Somewhere between 25% and 90% (very rarely 100%) of the book is going to be somewhere between entertaining and incredible, while a few bits aren’t going to do much for me. The great thing about anthologies is that the percentage that moves you is going to vary from person to person, and on that account this is an incredibly balanced book. Portions of this book are also in color, so if you’ve ever wondered what it would look like if the Pink Panther puked all over a bus stop, wonder no more! Granted, you probably never thought of that before I mentioned it, but you’re definitely thinking about it now. 17 artists contributed stories (or the cover) here, and as usual I’ll mention a few of them that I really enjoyed while leaving the rest of them as surprises for when you eventually read them. This doesn’t mean that I hate or love the stories that I omitted. My thoughts are usually somewhere between those two extremes, which is why I’m not talking about those stories, but it’s also possible that I’m just not thinking about them while writing this review and will comically slap myself on the forehead for forgetting a story after posting this review. Just another unsolicited peek into my reviewing “process”! Stories in here include a swamp thing going into a night club by Nicolas Mahler, Kayle E’s take on whether or not to leave the house, James the Stanton with the aforementioned Puke Banter episode, Melinda Trace Boyce and some memorable nights from her time on the late shift at a diner, Mack White’s story of a fraudulent prophet from Roman times (and this story is from 1997, so you may have seen it before), Doug Pollard’s horrific tale of a monkey who eats too much and his unfortunate cellmate, Connor Shea on the literal war between two big pizza chains, Gillian Rhodes piece on a frog who just wants a job (or a cheeseburger), and Colin Zelinski’s take on the myth involving Leda and Zeus (complete with an overly graphic ending). That’s over half of the artists in here and I thoroughly enjoyed those stories, so that’s already a pretty decent ratio. My wish for all anthologies to have the names of the artists (and the page numbers) on the top or bottom of every page has still not come true everywhere, but the table of contents and the layout at least make it easy enough to figure out who did what. This is well worth a look, and pretty hefty (and colorful) for that $15 price tag.
Posted by Kevin 
