What’s this? Am I attempting to sneak in another Karl Christian Krumpholz book under a different name? No, you silly things, he just did the cover and a story for Jonathan’s comic. This time around the theme is (more or less) Hollywood, his time in it, and Harvey Pekar (and his time interacting with Harvey). Mostly, anyway, as he always has room for random stories. Topics in this one deal with him discovering Alan Moore as a young comics kid and how it shaped him (it also mentions that Alan drew a strip for Harvey Pekar in 1990, which I now have to locate) (art by Tony Wolf), his time working for the Sundance Channel and how it eventually ended up with him sitting directly behind Harvey Pekar for the premiere of Harvey’s movie (art by Joe Zabel), a solid choice for a midnight movie experience (art by Bernie Mireault), his time going to school with Eli Roth and his joy at watching him shoot Hitler in Inglorious Bastards (art by Gary Dumm), an entirely too detailed depiction of his having to get his Lasik eye surgery adjusted (art by Maria and Peter Hoey), his love of a good Ennio Morricone soundtrack (art by Rick Parker), a well-earned love letter to Tallulah Bankhead (art by Michael T. Gilbert), Nolan Ryan’s disgusting trick to toughen up his fingers to pitch a baseball (art by T. J. Kirsch), and of course the story with Karl Christian Krumpholz with the odd bit of synchronicity of them talking about The Friends of Eddie Coyle when I just watched that movie a few weeks ago. Coincidence? I mean, obviously. Still, it’s an obscure enough movie that I’m tickled by it being mentioned. Obviously there are few more stories I’m leaving as a total surprise for the reader (I mean, I didn’t even mention Whit Taylor’s piece), but even compared to his already solid body of work, this issue is a shining example of what Jonathan can do with a solid cast of artists and when everybody is firing on all cylinders. What does that mean exactly? Probably a car thing. Anyway, heck yeah you should check this one out. $10
Baylis, Jonathan & Various Artists – So Buttons #10
December 13, 2019It’s the 10th anniversary issue of So Buttons! And no, it’s not quite an issue a year, if you go to his website you’ll see a few more issues here and there. Anyway, this is a hefty issue, with sections involving Birth, Life and Death, so the man covers a lot of ground here. I will just say before I get started that I’m sorry for the loss of his dog Mocha; as somebody who owns a cat who’s been around a little longer than this website (which started in August 2001, so you do the math), the whole pet mortality thing has become very real to me in recent months. Self-indulgent aside over, how’s the comic? The “Birth” section has two stories, one about Norman Mailer (and, oddly, another reminder that I should find a biography of Rip Torn ASAP), and another about how Lorne Michaels got his first literal seats at SNL from George Steinbrenner. Next up was the “Life” section, and it’s probably a good sign that this was the biggest section. Stories in here include his son’s first day of preschool, his idea of what his parents collected, a gone but not forgotten old Manhattan restaurant and how he tracked down a cookbook from the chef years later, and his reaction to the David Cronenberg film Crash. Which, as he makes emphatically clear, is a very different film than the one of the same name that somehow won as Oscar a few years later. Finally there’s “Death”, and in those two stories he talks about how important it is to be a bone marrow donor (if you’re younger than 45, sign up!) and another about the death of his dog. Here’s to 10 more years (or longer) of So Buttons, the man has a natural gift for storytelling. $5