Jonathan has never been nominated for an Ignatz award? Seriously? That seems like an absurd oversight to me. Oh hi, did I already get distracted from my review? Sorry about that, but he mentions that fact a couple of times in here, and it’s ridiculous. But hey, maybe this issue will get nominated next year, because it’s packed to the gills (a phrase I’ve never understood, but never mind that) with winners. First up is the tale of how he settled on his facial hair, how it ties in to Ethan Hawke and what happened when they met (Rachelle Meyer). Next is his memories of sitting with Tom Spurgeon and Carol Tyler at the aftermath of an SPX, which I really have to get to next year (Lance Ward). Then there’s a page by Carol freaking Tyler herself, which is all her, as she agreed to let Jonathan publish one of roughly 100 unpublished pages she found recently. If you were wondering whether or not Kerry Washington was a mensch, does Jonathan (and Ben Passmore) have a story for you! Next up is his story about Grant Morrison, and I have to take a minute here, because it’s about an original page of art he bought from All Star Superman years ago and his debate about whether or not he should sell it, as times were tough during the pandemic. I read All Star Superman literally last week (not for the first time, but in the fancypants “Absolute” edition) and he’s right, it’s the best Superman story ever told, and the only one I’ve seen where the Clark/Superman difference was actually portrayed as big enough to fool people. He also mentioned something I’ve noticed, where I’m roughly 50/50 on Grant’s work, but the 50 on the positive side is VERY positive. But he did this over his own talking head, so now I’m thinking our lists don’t coincide. Doom Patrol in the “bad” pile? Madness (art by Tony Wolf). Josh Bayer draws a true and necessary story about Johnny Rotten, and how inexcusable it was that he ended up a Trump supporter. “The Monkees of punk” was dead on, and if anything maybe a little unfair to The Monkees. Next is the story of a real punk band, Fugazi, his meeting Ian MacKaye and Ian’s story of his time in the crowd at SNL when Belushi wouldn’t go on stage unless a punk band was the musical guest (J.T. Yost). The quality didn’t dip a bit for the last few stories (how could it when Josh Pettinger, Noah Van Sciver and Miss Lasko-Gross were involved, among others) but it’s best to leave a few surprises for y’all, right? Also, I’m going out on a limb here and saying this was my favorite issue of the series so far. Have I said that before? Maybe! But this is the latest issue, so if I have ever said it before, this is the NEW favorite. Pretty good sign when somebody can keep topping themselves like this, huh? Give it a shot, why don’t you? $8
Bayer, Josh – Theth
May 11, 2016Theth
I rarely outsource my reviews, but the comparison by Robert Clough Gary Panter and the Kirbyesque energy of the comic on the back cover blurb was too good not to pass along. Succinct too, but I’m going to go ahead and write a bunch of words about this comic regardless. This is set in 1980, right when John Lennon was assassinated. On a surface level it’s about a kid (who is always in a full spacesuit) who sneaks out to the corner store to read comics when he says he’s going to the library, but is mostly forced to read them in the store because he doesn’t have the money to buy them. Along the way we see him in school, trying desperately to entertain himself while he’s bored, using a unique method of knocking on the inside of his desk while his head is laid down on top of it. His mom can’t seem to stand him, most of his classmates make fun of him (his name is actually Seth but they all call him Theth, hence the title), and the store owners are growing increasingly impatient with him doing nothing but reading in their store all the time. But under the surface there’s all kinds of stuff going on, and it’s damned near impossible to encapsulate here, which is where the Kirby/Panter comparisons become helpful. Every panel is packed with detail, but it’s a dirty, immediate kind of detail, which lends everything a slightly grimy tone. You can read this as a straight up tale of some awkward family and school days, all leading up to ______ (no spoilers as always), but this is one of those comics where it’s worth your time to go back through it again and just look at the artwork. I’m doing that now and catching more than a few things in the background that I missed initially. Josh got an impressive list of people to write blurbs on the back of this book, and it’s easy to see why they love his work so much. If you’ve never heard of him until now, you should absolutely fix that and check out some of his books. $10