What’s this? Am I attempting to sneak in another Karl Christian Krumpholz book under a different name? No, you silly things, he just did the cover and a story for Jonathan’s comic. This time around the theme is (more or less) Hollywood, his time in it, and Harvey Pekar (and his time interacting with Harvey). Mostly, anyway, as he always has room for random stories. Topics in this one deal with him discovering Alan Moore as a young comics kid and how it shaped him (it also mentions that Alan drew a strip for Harvey Pekar in 1990, which I now have to locate) (art by Tony Wolf), his time working for the Sundance Channel and how it eventually ended up with him sitting directly behind Harvey Pekar for the premiere of Harvey’s movie (art by Joe Zabel), a solid choice for a midnight movie experience (art by Bernie Mireault), his time going to school with Eli Roth and his joy at watching him shoot Hitler in Inglorious Bastards (art by Gary Dumm), an entirely too detailed depiction of his having to get his Lasik eye surgery adjusted (art by Maria and Peter Hoey), his love of a good Ennio Morricone soundtrack (art by Rick Parker), a well-earned love letter to Tallulah Bankhead (art by Michael T. Gilbert), Nolan Ryan’s disgusting trick to toughen up his fingers to pitch a baseball (art by T. J. Kirsch), and of course the story with Karl Christian Krumpholz with the odd bit of synchronicity of them talking about The Friends of Eddie Coyle when I just watched that movie a few weeks ago. Coincidence? I mean, obviously. Still, it’s an obscure enough movie that I’m tickled by it being mentioned. Obviously there are few more stories I’m leaving as a total surprise for the reader (I mean, I didn’t even mention Whit Taylor’s piece), but even compared to his already solid body of work, this issue is a shining example of what Jonathan can do with a solid cast of artists and when everybody is firing on all cylinders. What does that mean exactly? Probably a car thing. Anyway, heck yeah you should check this one out. $10
I guess I shouldn’t be amazed that Jonathan managed to put this together during a global pandemic, but I am honestly a little surprised. Sure, it’s not much different from normal, I imagine: Jonathan writes the stories, asks his various artist buddies if they can draw the stories, and the comics magic happens. Still… kudos! If you’ve never read an issue of this series before, these are autobiographical tales taken from Jonathan’s life, sometimes drawn by entirely new artists, sometimes drawn by a few favorites that he’s used in multiple issues. Also I noticed that every past issue of his series is currently in print (including the collected edition), so if you’re intrigued, get caught up! The man can tell one hell of a tale. Just wanted to get that out there in case I got distracted in the middle of the review. So what’s in this comic that was produced during a global pandemic? Would you believe only one story involves the pandemic, and even then only briefly (and tangentially)? It’s true! For everybody that remembers and appreciates Basil Wolverton’s work, Jim Rugg’s cover art is goddamn amazing. Subjects in this issue include the mythical Laphroaig 15 year scotch and the lengths he went to to try and get it (before it was eventually released as an anniversary edition), his work as a “make a wish” escort and the time he met John Cleese (this one takes you on some twists and turns, as there’s some serious danger that John’s going to end up being an asshole to this kid), his time at school abroad in London and how the comic shop he discovered there led him to small press books, visiting his old Waldenbooks job after it had been turned into a bank, his grandmother’s obsession with Bazooka Joe gum and how that eventually (kind of sort of) led to a job as a Topps intern and finally his tribute to Carol Channing (who shares a birthday with him). There are also a few more wordless pages, but I have to leave something as a surprise. And his bios of the artists tell you a lot about them and why he specifically picked each one for each piece. It’s a steal for $5 and I’m always happy to see a quality series like this make it to double digits while showing no sign of slowing down. Give it a shot if you’ve never tried his stuff before, and if you’re already a fan I guess all I had to say was “hey everybody, a new issue of ‘So Buttons’ is out!” $5
Posted by Kevin 
