Sears, Ben – Night Air

January 30, 2026

Website

Night Air

I got a rare, genuine, audible “huh” out of myself when I did a search for Ben’s name here and realized that I’d really never reviewed one of his comics. I’ve been hearing his name for ages, how was this possible? Maybe I’ve only seen his work in anthologies? Still, genuinely shocking to me. So how was this, the first of his comics that I’ve read? Well, it’s full color, and for this setting that was a solid choice. Things start off in a seedy bar, with our hero (I don’t think he’s ever named) using his robot to cheat at cards, which is something that the man he is cheating strongly suspects is happening. That was also an eclectic mix of thugs, considering the fact that we don’t see most of them again. Our hero excuses himself, tries to escape and is chased by a large rocky bodyguard. Due to a little bit of ingenuity they both escape, and then they get a tip (from as big of a “red flag” type tipster as you’re ever likely to see), and make their way to a mysterious city. They follow the clues (the dog standing in a spotlight was a nice touch), make their way inside, and are immediately confronted with oddities. A skeleton holding a mysterious book! A typewriter typing by itself (and getting very annoyed when our hero started typing)! Still, they’re not finding much in the way of actual treasure, but they do run across the couple who has set the trap, and there’s no way I’m going to spoil why they set it in the first place, but it got a solid chuckle out of me. Our heroes are put into a cell with more captives, things go down, and there’s even a series of illustrations in the back from other artists depicting our hero. It’s a thoroughly entertaining comic, and it opens up yet another artist who I’m apparently way behind on reading. $8 (on sale at Ben’s website)


Various Artists – Big Planet Comics Anthology

February 4, 2016

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Big Planet Comics Anthology

This is an anthology with mostly artists from the area around Big Planet Comics, meaning mostly the Washington D.C. area. I’ll start this review with a complaint about anthologies in general and this one in particular, and this is a complaint I’ll be putting in all anthology reviews until comics society as a whole fixes it. For an anthology you have three ways to let readers know who did each story. You can list the title and author at the bottom or top of each page (still my preferred method), list a table of contents with the page numbers clearly listed there and on each page (that last bit trips up more people than you would think) or you could have the writer/artist clearly take credit for each story either at the beginning or the end of it. This anthology went with the second option, mostly, choosing instead to include a table of contents with page numbers listed… and no page numbers listed on each page. It’s not the worst thing in the world for a 48 page anthology, but it’s still annoying. Anyway! This was still a solid anthology overall, and a nice sampler of the work of some of these artists. Highlights for me included the Horse Story by Jensine Eckwall, a Mark Burrier comic that I hadn’t seen (check the archives, the man has been around for ages), Saman Bemel-Benrud’s tale of internet culture mixing with real life, Robin Ha and the horror of The French Cows, Box Brown’s horrifying tale of what magic is, Angelica Hatke’s story of a hen laying a football egg and what comes after, and Jared Morgan’s harrowing tale of life inside the first level of a video game. I didn’t actively hate any of the stories here, always a plus, and it was a nice mix of talent. Just maybe make it easier to find each individual story next time? Comicland, maybe we can get together and make a law on this. $5

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