Skelly, Katie (editor) – Synthetic Visions #1

April 26, 2010

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Synthetic Visions #1 (edited by Katie Skelly)

Yes, it’s an anthology, but it still goes on Katie’s page. Why? Because she’s the one who sent it to me, and you can get copies through her. There are four different fantasy and science fiction stories in here, and have I mentioned how excited I am that that’s the direction Katie seems to be headed? First up is Chompy by Tim Vienckowski, the story of a giant creature from another world who enjoys chomping on everything it sees. Next is Hodo by Drew Gardner, dealing with a man, a car and a hot dog… ok, this one was mostly lost on me. Next is Katie’s story, Hunter, and if I didn’t know any better I’d say that the small flying creatures from Nurse Nurse make an appearance here. Other than that it’s about an underwater woman who hunts for food. Her heart of gold is apparent when she rescues a baby whale after an attack on the mother, and if I’m not mistaken the little guy manages to shed a tear or two underwater. Finally there’s Ultra-Showdown by Taline & Shant Alexander, which is all about a war between Unicorns and Pegasi. Not to throw out any spoilers or anything, but, well… zombie unicorns. There, I said it. It’s a pretty interesting bunch of stories, and if I had one wish in the world it would be to have somebody cranking out fantasy and science fiction anthologies on a regular basis. For anybody out there interested in this sort of thing, Katie is looking for contributors, so click that link on the top of the page to send something her way. $4


Skelly, Katie – Nurse Nurse #1

April 26, 2010

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Nurse Nurse #1

This comic reads like a wish list of things that I had wanted to see in Katie’s comics without even being consciously aware of that fact. A continuing series? Check, with at least four more issues planned. A science fiction story? Check again, with this one being set in 3030. Katie spending some serious time and effort on backgrounds and imaginative settings? Nailed it again. This issue tells the story of three nurses trying to get a permanent job on a human settlement on Venus, which is the happening place to be at the moment. Only two of them can get the job, so the two friends (Junny and Nina) set up the other nurse (Gemma) to oversleep in her chryogenic stasis, giving off a bad impression right off the bat. This issue only has time to introduce us to the characters and establish Venus a little bit, and things end off with Gemma just getting to meet her first patient. I’m intrigued, I’m excited to see more, I’m thrilled that Katie is putting out so many books these days, and it doesn’t hurt a thing that the stories are all over the place. In case you were wondering where all the good mini comics are these days, you might want to think about looking in this direction… $3


Skelly, Katie – The Legend of Countess Saddenbrau

April 26, 2010

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The Legend of Countess Saddenbrau

Oh, the troubles of two loners falling in love. This is a cautionary tale of just that situation, as the Countess enjoys her time to herself very much and isn’t interested in love. The same thing is true of the Duke, a man who enjoyed his simple pleasures, but always enjoyed them alone. One day they met, and fell instantly in love. How do two solitary people deal with such a thing? The book looks great, all gothic tones, either done in charcoal (my guess) or crayons and then copied. Well worth a look, especially for the content loners out there who wonder “what if” when it comes to love… $3


Skaggs Jr., Phil – The Lone (Red) Ranger

April 26, 2010

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The Lone (Red) Ranger

Haters of 24 hour comics take note: there’s a giant warning for you right there on the cover. I love the concept, it’s the execution that often kills it for me. Really though, the bar is set pretty low: throw together an entertaining story and try to make the art as decent as possible. Phillips succeeds admirably in both counts. This is the story of a rejected Power Ranger, called Oomph Rangers either due to legal concerns or because it’s a genuinely different thing, I don’t know enough about them to be sure. This Ranger, after getting essentially banished, runs into a frog man, a brutal player of spoons, and several Pobbles, which are either killing machines or the victims of mistaken identity, it’s never made clear. The book does everything a 24 hour comic is supposed to do: it’s a fun book and it makes me want to see what else the guy has done. And, of course, it’s only a measly $1.


Skaggs Jr., Phil – Boom Fantasy! #1

April 26, 2010

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Boom Fantasy! #1

OK, granted, I have seen better titles, and in most cases if you’re trying to court the literate you might not want to throw a “4” in place of “for”. Just had to get that bit of nitpickery out of the way. The actual comic is entertaining enough, and that’s all that really counts. First up is the bulk of the comic, dealing with the two creatures on the cover who are on a seemingly endless space flight, one of whom is trying to compose his own music and is having a tough time of it. Oh, and they have a brief dance contest until one of them gets bored. Next is Cheese Solar, a paranoid captain of a space ship (no relation to the last story), probably the best piece of the bunch. Then you have the story of Skele-Ted, a new superhero who is sent out to fight a giant creature. I kept thinking this was a parody of superhero comics but really, it reads like a straight up action story. Up to you whether or not that’s a good thing. Finally there’s a brief activity corner in which the reader is encouraged to examine the last page of drawings and make a song out of it. Hey, I’m at least mildly curious what Phil got in the emails. $2, nothing spectacular maybe but a decent enough comic.


Simmons, Josh – Jessica Farm

April 26, 2010

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Jessica Farm

The good news? This is huge and quite possibly my favorite comic that Josh has done. The bad news? It won’t be done until 2050. Seriously. He’s doing one page of this a month so, assuming we all live so long, that’s about when he thinks he’ll wrap this story out. Ambitious, to say the least, but I hope he at least has the decency to throw us another one of these big books every five years or so. This is the story of Jessica Farm on Christmas Day, waking up to learn that there’s a pile of presents waiting for her downstairs. This news is blunted somewhat by the fact that her father, who is portrayed as a shadowy monster, is waiting for her and things aren’t going to go well for her when she does open those presents. So she drops completely into a fantasy world of her toys, a tower and a lover, and the creepiest closet I’ve ever seen. Christ, every bit of this, from the reluctant guardian of a closet, to a mariachi band that seems to exist only to serve her, to her lover who wants more than she’s willing to give, to… well, I’ve already probably said too much. There’s no rush to get this if you’re looking for any sense of closure, obviously, but I really think that he hasn’t done a better comic than this. $4


Simmons, Josh – All About Fuckin’ #10

April 26, 2010

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All About Fuckin’ #10

It’s the last issue of his anthology comic about fucking, and he’s certainly put together a nice final issue. All sorts of folks with pieces in here including Caesar Meadows, Nick Jeffrey, Mike Diana, Jeff Brown, Jennifer Sleepwalker, Zack Soto, Thomas Herpich, and plenty more that I hadn’t heard of. It’s 80 pages long, so there’s a lot of fucking to see here.. This is much more diverse than the other issues that I had seen, which makes it a much better comic. Josh has a series of “Little Known Sexual Practices” that’s worth the price of the book right there, but there’s a ton to see here. I’m guessing it’s around $5 because it’s so huge, but you might want to find out from the man himself. Contact info is up there, and I think everybody reading this knows that they have to be mature to read this…


Simmons, Josh – All About Fuckin’ #9

April 26, 2010

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All About Fuckin’ #9

Geez, that cover was creepy enough before my scanner decided to turn it into a rainbow. This is one of those cases where the title says it all: it’s all about fucking. It’s a collection of art and pictures from various artists with messages about all manner of fucking and all kinds of violence that is associated with fucking. There’s not much to it besides that. Maybe one comic story in here, and none of the pictures are exactly intended to titillate. It’s an interesting concept, for those of you who want to see sex made as ugly as possible in some cases, but some of pictures certainly made me think. E-mail the man for info, he puts these together on a fairly regular basis…


Simmons, Josh – Happy #4

April 26, 2010

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Happy #4

Here’s the last issue of Happy (he’s concentrating on putting one big book out a year instead, as most people seem either unable or unwilling to keep any kind of a regular series going), so enjoy it! In here is the last part of the Cirkus storyline, which has kind of an anticlimactic ending, but I can’t see how else it was going to end. More incredibly odd and/or offensive things happen, a visual smorgasbord, if you will, and then it’s over. Next is a series of monster pictures, showing how they’ve lost all power in the modern day. Then you have a tract about females in general, which I thought was a rambling piece that didn’t touch some of his previous rants, although a few good points were made. Finally you have a short story about dental floss (sort of) and another, better rant about how comics are the best thing in the universe and everybody who reads/writes comics is much better than everyone else. His tongue was just slightly in cheek for this one, in case you were wondering. So it’s $3.50, these issues are all going to be collector’s items one day (assuming that people are reading anything at all in ten years, but then maybe they’ll be collectors items as one of the last examples of naked people anywhere!), so buy them while you can!


Simmons, Josh – Happy #3

April 26, 2010

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Happy #3

For those of you who hated his mini a few years back about his time traveling with a “circus” (scroll to the top of the page to see what I’m talking about), well, this is a continuation of his travels, so don’t bother. For those of you who thought it was all too confusing to keep up with, I think he does a much better job in here of putting everything together. Hey, it is a story about a wide array of people doing a variety of things, you know, and he has to try and squeeze in a reaction or two of his own here and there. ots of the things you’d expect a traveling show to encounter are in here. Venereal disease, licking a dog’s butt, Sasquatch, a clown, pies, fights, and a lot of drinking. Which only scratches the surface, really, but why go on? If this is the kind of thing you’d want to read you already know it, and if you hated the other mini you probably won’t give this a chance no matter how much I tell you to (although you really should pick it up). I liked it, so should you! $3.50, contact info is around here somewhere…


Simmons, Josh – Happy #2

April 26, 2010

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Happy #2

Is it too much to hope that eventually comics will gain widespread acceptance? See, there are probably plenty of people who just don’t care, and I’m usually one of them. But I was struck last night by the fact that this is exactly the kind of comic that has all the potential to be read by all kinds of people and loved but just doesn’t quite pull it off. I should make one thing clear before you start to draw conclusions: I loved this comic. Absolutely thought it was one of the best things I’ve read in months, a whole lot better than the first issue. That being said, his 7 page intro to his autobio tale about a day at the baseball park with his Dad was sure to turn off everybody who didn’t have an in-depth knowledge of autobio comics. Does that matter? Should anybody ever cater to the possibility that non-comics people might pick up an issue? No, pretty much never, in my opinion, but this is just the kind of thing that cements the fact that comics are going to keep their tiny audience and probably go no farther. I don’t want to spoil anything because everybody should really buy this, but I think this issue by itself should establish Josh as a name in comics, whatever that means. I laughed out loud more than a few times. He raised a lot of good points about how self-absorbed autobio comics are, but… well, decide for yourself. Helping Hand was the highlight of the book but, again, I’m not going to tell you what it’s about. And no, it doesn’t have anything to do with a elephant, bunny or chicken. Read it!


Simmons, Josh – Happy #1

April 26, 2010

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Happy #1

This is what is known as a “mood comic”, at least in my own personal dictionary. I still think that there will be a time and place when I enjoy this comic quite a bit (or even a time, a few hours or a few days from now, when I laugh at loud at something in this), but I’m writing this review right now, and right now I’m disappointed. Hey, it just didn’t strike me as all that funny. Blame the fact that I just woke up and am too sober to appreciate it if you want, but there you go. This is the single happiest goddamn book on the planet, that much is true. The first story involves the happiest planet in the world with all the happy rabbits who live on it, the second has a high school student get up and explain why the dorks aren’t popular but that they’re OK too, and the third one has two people in love basically talking about that fact. If you think this all sounds funny, maybe you’re right and I just wasn’t reading it right. And there’s more to all the stories, obviously, but I’m not going to give anything away. It’s an OK book, basically, but I was expecting more after the last thing I saw from him. Still, e-mail him if you want or order this from Top Shelf. If you e-mail him he might have some other stuff available too, so go with that. If I change my mind about this in the next few days I’ll tack something on to the end of this, OK?


Simmons, Josh – Cirkus New Orleans

April 26, 2010

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Cirkus New Orleans

Remember how everybody was doing autobiographical stuff a few years ago and most of it was just plain dull? It’s hard to write about yourself when you have a boring life, after all. Well, Josh Simmons doesn’t have that problem. This is auto-bio done by a guy who knows some extremely interesting people who have a variety of outrageous habits. Oh yeah, and they’re in a traveling “circus”. Kind of like the Jim Rose Circus Sideshow, except he talks about things that I’m pretty sure were never done by those other guys. This is one packed book… layers of artwork and words all over the place. You could probably read this three times before you get everything he was trying to say here, and even then you might not get it in the order he was trying to say it. I read on one of the message boards that this was one of the better books of the year, but I don’t know if I’d go that far. Well, I guess it depends how long the list of best books is. If it’s ten books, hell yeah this is up there. If it’s five books it might have a hard time cracking that list, but it’s still a damned good read. Interesting real life stories are hard to come by in comics outside of Dennis Eichorn, so take advantage of this while you can. Before I get any e-mails, yes, I am aware of the works of Chester Brown, Joe Matt and many others. Most of these people who do those stories well have moved on to fiction, so that doesn’t apply to them any more. Stop arguing with me, just buy the damned book. Get it from Top Shelf or e-mail Josh to see what he has around.


Sim, Dave – Cerebus Volume 12: Rick’s Story

April 26, 2010

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Cerebus Volume 12: Rick’s Story

Who else never expected to see Rick again? I’d have to think that most people thought he was gone for good after the events in Jaka’s Story. Honestly, it might have been for the best if he had stayed gone, because this ends up being the most forgettable of all the books so far. Guys had Cerebus in a bar, sure, but it was funny because of all the other characters that kept popping up. Here you have Cerebus and Rick talking about stuff and it becoming increasingly apparent that Rick has a few mental problems to work out. If this was just a chance for Dave to talk more shit about women, well, that’s what the letter’s page and the Notes From the President sections are for. Don’t get me wrong, there were funny parts in this, and I guess you can’t technically skip it because a few important things do happen… you know, scratch that. Go ahead and skip this and see if you really miss it in the larger context of the story.

Want me to get into specifics? OK. The parts where Rick is writing a Bible according to Cerebus are impenetrable. No other word for it. It would have been hard to deal with anyway, then he went and wrote it all in Olde English style (or something like that. I don’t know what it was and I’m not about to research it). First thing I had to skip in the course of the entire storyline, and that’s saying something. Then there was the head wound that Rick mysteriously received. If that was supposed to a comment on how the women parasites tapped his brain (from his famous remarks in #186), then it was just nonsensical because he wasn’t even dating anyone at that point. Throw in a an almost completely useless and gratuitous cameo by Dave himself, and what you’re left with isn’t much. There are positives in the book, of course. His natural knack for dialogue makes it impossible for there not to be. Cerebus’s internal dialogue at times, especially after he realizes that Rick is crazy, are priceless. The return of a character that I didn’t think we’d see again after the events of Mothers and Daughters was a nice touch too. Overall, if you have to read this, skip the Bibley parts. Trust me. It’s just not worth it…


Sim, Dave – Cerebus Volume 11: Guys

April 26, 2010

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Cerebus Volume 11: Guys

Take this book for what it is (a bunch of characters from Cerebus sitting around a bar talking) and you’ll love it. If you’re expecting Cerebus to storm Cirin’s stronghold or something after the events of Mothers and Daughters, you’re in for a rude awakening. I think I laughed out loud during this book more than I had during any of the other ones, and that’s saying something. Still, I had a few problems with it. He went a little crazy with the xerox machine in an issue or two. It helps you get the book out on time, granted, but all of these are (in theory) going to have long shelf lives, and you should really focus more on getting as much as you can in each issue as opposed to just making sure that it’s sitting on the shelf when it’s supposed to be. My humble opinion, but there you go. And I loved the parts with Eddie Campbell, Rick Veitch, Bacchus, the hunchbacked guy from Starchild and some other folk, but any casual fan wouldn’t have any idea who those people were. I think his theory is that only comics people are going to be reading his work (and he might be right after his rant in #186, because this is no longer a good book to show to a girlfriend unless that girlfriend has an extremely open mind), but I don’t know how true that is. There aren’t any other books that have 13 volumes available right off the bat, so I think that a lot of people who wouldn’t ordinarily read this might get it just for that reason.

Anyway, the story. There isn’t one. Cerebus is in a bar after the events of Minds, along with Bear, Mick, Boobah, and a whole cast of characters. If you’re looking for a good laugh in this series, this is it. He takes a different turn after this (I’ll get to that when I read them), so enjoy the light-hearted frivolity while you can. Actually, this is one of very few books that I can honestly say would be good for anyone to read, whether or not you’d read any other part of the series. How much history do you need to know for a bunch of guys sitting around and getting drunk? It’s not exactly all ages stuff, but that’s about the only thing that would prevent anybody from liking this, and they’d have to be pretty uptight, now wouldn’t they?


Sim, Dave – Cerebus Volume 10: Minds

April 26, 2010

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Cerebus Volume 10: Minds

I was really pissed off by this book the first time around. Thought the ending of the Mothers and Daughters saga was an incredible cop-out, that Dave had run out of good ideas and the rest of the run would be dull as hell. Having already read 60+ issues after this book, I can see it a bit differently now. It seems necessary for the being behind the whole Ascention to be… but that would be telling. It makes sense. Kind of takes some of the fun out of the presumed naivete of the series, but it had to be done. I think I had a problem with the whole thing at the time too because the Cerebus story was such a distant second (or even third) to whatever else was going on in the book. Every issue in this arc opened up with a 2-6 page rant about the state of independent comics or the latest convention of small press folks. Granted, there weren’t very many of them back then, but the announcements shouldn’t have been coming before the story. Follow that up with a letters page that was more interesting than the story (not to slight to story, but this was right after the infamous #186 and the letters were pouring in about the whole mess. A lot of people were trying to figure out exactly how much he really meant out of all the stuff he was saying) and a preview that was always at least interesting, and Cerebus got the short end of the stick. I’m sure this problem has been solved for the ages through the phone book for this one, but it’ll always be a jumbled mess for me.

What does that mean for the state of the book? This one is absolutely crucial, like it or not. Whether or not it’s just an explanation for why nothing happens the rest of the way remains to be seen. Without giving anything away, this one is Cerebus and Cirin flying through space and meeting their maker. The whole Terim/Tarim debate is finally cleared up, you learn a lot of interesting things about Cirin, and the Roach is, to the best of my knowledge, forgotten completely. I was wondering if he would show up at all after Reads and he doesn’t here. Which makes a little sense when you take the ending of the series into context, but it sure feels like Dave forgot about him completely. After the first two books were nonstop action and revelations, Reads slowed everything down quite a bit and Minds threw the whole thing in reverse. Not a satisfying conclusion to the story but, as always, that could change depending on the how the whole series ends. It’s frustrating to have to be even more wishy washy than usual in these reviews, but there’s so much yet to be seen that’ll make a lot of this look like the work of a genius, or just somebody who wanted to fill up 300 issues. I’m confident of the former being true, but there’s always that small element that tells me that he might have gone a little bit nutty and changed his mind at some point in the story. We’ll see. For now, this is probably the most crucial book in the series, so that makes it required reading. Even if I did have a few problems with it…


Sim, Dave – Cerebus Volume 9: Reads

April 26, 2010

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Cerebus Volume 9: Reads

There’s an immediate dilemma to my reviewing this. Do I review the text parts, the comic parts or both? Because the reviews for the two of them would be quite different. I’ll tell you right now that I’m not going to touch #186 though. Smarter people than me have done it, and that’s not what I’m here for right now. Well, obviously you can’t separate the text from the pictures. Like it or not, this is how Sim chose do to Reads and this is how it is now. One thing that he made abundantly clear in his rambling is that we are only the audience, so we have to accept that. That being said, this is my third time reading this over the years. It was a chore to get through when I was reading it month to month, but I looked forward to it because it helped me kill some of the dead time between classes, what with taking a couple of hours to read per issue (between the Notes From the President, Aardvark Comment, the preview each month and, oh yeah, the actual comic). The second time around I thought the text was intrusive and unnecessary and, quite honestly, I skipped over chunks of it. This time, I actually liked the first part of the text. It didn’t fit in the story, granted, but it was a needed shift in momentum from all the action going on in the actual comic. But the text bits changed when the fight between Cerebus and Cirin started, and that’s when this whole thing became self-indulgent and meaningless in the extreme.

What’s that you say? You can say anything you want about Sim’s comments throughout this, but “meaningless” isn’t one of them? Sure it is. What did it do for the story? Absolutely nothing. The only reason he put this in the context of the story is so it would be in print for as long as the series was. Honestly, he’s addressed this issue since then, and it’s never been in the storyline since. Why? What makes it less intrusive now than it was then? I don’t know, and I’m among the many who can’t figure this guy out for anything. Even with what he believes in, the guy is still one of my heroes simply for what he’s done in comics and how high he’s raised the bar for anybody else who wants to do a continuing story. This could have easily been the best of the books. How can you go wrong when you start with Cerebus, Cirin, Astoria and Suentes Po all in a room? He could have changed the name of the book to “Revelations”, kept the text out of it (or at least kept it fictional), and he would have had a masterpiece. Instead he’s got a jumbled mess. People, if you’re asking my advice here, skip the text pieces entirely. That’s not what his story is and I have no right to tell you that, but when I read this thing again through the years, I’m not going to read the text again. It would improve the story immeasurably, that’s for sure. All that being said, this is still a crucial piece of the larger story. Much as you’d like to, you can’t skip reading this one. Don’t get me wrong, the comic part is fantastic. The fight scene between Cerebus and Cirin is one of the best I’ve seen, and I’ve been reading comics for a long time. He took a big chance with this one creatively, and I think he blew it. You’re entitled to your opinion, but after the third time through I just can’t see where this text helps the story in any way. Don’t get me wrong, it’s not bad to read otherwise, but we could have read it in the Aardvark Comment and everything would have been fine. It’s the mark of a great storyteller, though, that I can’t wait to move onto the next book.

OK, I’ve been looking around online for almost an hour now, trying to find an “intellectual” review of #186. I can’t find one. I’ve found a few that call it a “misogynistic rant”, but they’re really short on fact about that comment, and don’t offer much in the way of debate. Anybody out there know of any intelligent reviews of this issue? I know I’ve seen some before. Let me know, I’ll put a link to it up here.


Sim, Dave – Cerebus Volume 8: Women

April 26, 2010

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Cerebus Volume 8: Women

I’m starting to wonder about the wisdom of reviewing every part of this storyline. Granted, this is how it was all published and I’m sure Sim knew what he was doing. And reviewing any of this series is, by nature, sheer guesswork. That’s just the case with reviewing books about ongoing series when the series isn’t actually done yet. This particular book picks up where Flight leaves off, obviously. Cerebus is back from talking to Suentes Po and is confined to a tavern due to a law against Cirinists entering such establishments. Astoria is confined with her followers in a hopeless situation and Cirin is in a coma due to the Upper City being mostly destroyed. Everything is in chaos, basically. I wouldn’t recommend this to anyone as their first book in the series by any stretch of the imagination, but if you are buying these one at a time or something, I’d recommend getting all of the Mothers and Daughters books all at once. Every one of them has an ending that is going to bug the hell out of you if you have to wait for it to continue.

There are a few new technical things in this book, I guess. Tracts from Cirin and Astoria about Cirinism and Kevilism, respectively, are spread throughout the book. It gives a fascinating look into just how much time Sim put into these religions that he made up for the sake of this book. Granted, both groups bear more than a passing resemblance to Republicans and Democrats, but these are done completely through the eyes of women, which is a completely different perspective. And I honestly don’t see how somebody who could spend that much time on it and seem to have this much respect for the opinions of women turn out to be a misogynist. Does anybody know if he still claims not to be a misogynist? I know he did after #186, but he recently released another rant that all but confirms that he mostly hates women. Or that he just has no respect at all for their opinions and/or contributions to society compared to that of men. But that’s a conversation for another day entirely. Bottom line for this book: not as much action as the last one, but all kinds of important stuff is going on in the background and there’s no way you can miss this and make any sense of the rest of the storyline. Once again, if you’re already reading this series then you’re convinced of how vital this book is, if you’re not reading it you probably aren’t reading this anyway. In other words, I’m mostly just pissing in the wind here…


Sim, Dave – Cerebus Volume 7: Flight

April 26, 2010

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Cerebus Volume 7: Flight

Bloodshed! Mayhem! Wanton brutality and murder! All the things you’ve come to expect from Cerebus. Well, not really, which is what makes this book such a departure, especially after a three year span (as far as the comic is concerned) without Cerebus doing much of anything. This one starts off with a bang, with him on the run from basically all the Cirinists and with them all after his head. Those sword fights are pretty realistic (it seems) too. Most movies and other media just show swords killing people without going into detail about how it’s done. This is all shown brutally in this series. And the Roach is back, and Elrod, and Suentes Po, and Cirin, and plenty of people where I don’t want to ruin the surprise. We get a few glimpses into why things are as they are, and plenty of things that seemed completely unimportant at the time are brought back for a brief spell. You’d have a hard time finding any character to ask “whatever happened to them?” after this whole story is over.

How does it stack up? Well, it starts off possibly the best large storyline of the series, at least so far. It’s not easy to pull off constant action for as long as Sim did and have me buy it either. That’s one other thing that I’m getting when I’m re-reading all this. He knew exactly what he needed to do to make this a hit (at least with his diehard fans) when he started this thing. He could have easily spent the rest of the series after this dealing with Cirin and everyone and with the politics of Iest, but instead he chose to take all kinds of chances. Still, that’s a review for another time. This one has anything that any fan of the series could ever want: a starring role for Cerebus, more plot advancement (at least as far as the “main” plot goes) than you could shake a stick at, and the return of almost every character who has meant anything to the story. All this while still going light on the giant blocks of text! This is a real crowd pleaser, and probably the right one to start someone with who isn’t convinced of this series and also has a short attention span. There are better books, sure, but most of what happens in them leads up to the event in the Mothers and Daughters story.


Sim, Dave – Cerebus Volume 6: Melmoth

April 26, 2010

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Cerebus Volume 6: Melmoth

I was really curious to read this one again. I knew that I liked the end of it because of what it meant for the rest of the series, but I wasn’t sure how well I’d like the story of Oscar Wilde the third time around. I always kind of resented it because it took up valuable space that could have been advancing the story. Well, I’ve completely rethought that position. Sim has 300 issues to do what he has to with the story, and he knows it. This book wouldn’t have worked nearly as well if it was a couple of issues of Cerebus getting over Jaka’s death (so he thinks). With all these issues, he’s given the character time to realistically get over that trauma. And I’d forgotten how much I liked Doris as a character. Just something about the way that she makes every sentence a question and that little hair flip thing she does. Hey, I don’t know, I’m just telling you my observations here.

So now that I know that having Oscar around wasn’t a terrible idea, how well does it hold up  Pretty well. A whole bunch of pretty much forgotten (and, in some cases, useless) characters show up at some point for cameos. Oscar dying was dealt with in minute detail; there was no turning away from any of the unpleasant aspects of someone wasting away. Would I have preferred more Cerebus, more story in this one? Yeah, I guess so. But I’m also along for the ride in this series and am content to let a master experiment a little bit. Now, if he’s telling the story of Dostoevsky in the last twenty issues of the series, that’ll be a different story. Until then, you need these quiet moments to add importance for when all the big stuff happens.