Longtime readers of this website know that I occasionally have nothing to say about a book. Or at least nothing coherent and/or remotely insightful, but I usually bluster through it by offering a series of impressions or apologies about my deficiencies. And… here we are again! This is a remarkable book, all angles and ideas, thoughts about impossibilities and how to get over them (if they can be overcome), and a doomed love affair that never seems all that passionate. Most of the images look they were finished by an act of will; Keren could have just kept going with some of them until they filled the page, or spilled through the pages onto the rest of the book, or drawn onto and even into you if you sat still long enough. I rarely flip back through a book immediately after finishing it, but I did that here, taking time to ignore some of the captions just to see if I could get where she was going with the images alone. In most cases I could! Or at least I could get to where I thought she was trying to go, imperfect though my thoughts might be. It makes quite an impression, there’s no denying that. Subjects in here include a trapped horse and how to get him down, polishing bones with your moustache, whether or not the planned buried railroad cars exist, telling stories to get the person to fall in love with you, a young lover wondering when and if her teacher was watching her, and the watching witch. This book reminded me, above all else, of the feeling people sometimes gets that everything and nothing are both just a little bit off to the side, out of reach but not impossibly so. It’s all right there, if you tilt your head just right, angle your arms just so that they can slip through that veil and grab a bit of what’s on the other side. If you angle too far you’ll slide right through and never return, and if you don’t angle them enough you’ll never see a thing. Get yourself and your mind into exactly the right position, take a deep breath and dive right in. $19.95