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Panel Anthologies – Panel #11: Work
Panel #11: Work
The Panel crew is at the point where they could coast. They have a solid, consistent group of contributors, a near-limitless capacity to come up with new subjects for the individual issues and (I would hope, anyway) a group of people who will check out any future issues. And still they manage to keep everything fresh, starting right away with the packaging. Yes, that is a plain old interoffice envelope, familiar to any of us who have spent any time in an office, signed apparently by all the creators. Inside of this envelope is a series of individual mini comics (and one printed on a large sheet of paper), meaning that they can all be sold by the creators individually at cons or whatnot. To top it all of is the “memo” inside, an introduction to the comics, using all the appropriate buzz words like proactive, impactful and synergistic. An instant work of art, and I haven’t even mentioned any of the comics. The big sheet of paper is Broken, a silent story by Brent Bowman of a repairman witnessing the end of a relationship. Next is All in a Night’s Work by Dara Naraghi & Matt Kish, another silent tale about a day in the life of a henpecked knight, and you know I’m going to love anything that gives Matt the chance to draw dragons and various odd creatures. Pyramid Scheme by Brent Bowman & Sean McGurr is a tale of a man trying to convince his friend of the validity of his pyramid scheme, and this comic is actually shaped like a pyramid, although this point I think they’re just flaunting their creative awesomeness. Craig Bogart is up next with A Strange Farewell to Reginald Everbest, in which the people of a town don’t show enough respect when the town mortician dies, leaving the dead to rise up and do it themselves. Molly Durst has Wink! Wink! An Interview Gone Wrong, in which the interviewee has a nervous twitch that makes him wink, but I’m not going to spoil the punchline. Finally there’s Goby by Steven Black & Tim McClurg, another silent piece, and the one that made the least sense to me. There’s a little fish, see, and it gets thrown back after getting caught by a fisherman. Then said fish is swallowed by an octopus, which gets captured and cut up, which reveals the fish, which then transforms into a mermaid, and then time moves forward about 50 years, bringing a snail onto the scene… Sorry, that one lost me. It looks gorgeous though, and that has to count for something. The fact that this is still going strong at #11 is impressive as hell to me, as is the fact that you can pick up just about any issue of this series at any given con and expect a quality anthology. $4 and worth every penny…
Panel Anthologies – Panel #3: Space
Panel #3: Space
That cover is a whole lot cooler if you can see the woman whose arms are wrapping around the cover, but what are you going to do? This is an anthology from creators in Columbus Ohio with a loose theme of “space”. That can be taken many different ways, and is in a wide variety of stories. Dara Naraghi & Tom Williams have a fantastic story of the juxtaposition between space exploration and war. Glenn Brewer has a good shortie about, um, well, read it for yourself. Sean McGurr & Steve Black take Zeno’s Dichotomy Paradox and run with it (literally). Tony Goins & Andy Bennett have the highlight of the book with a story about a random hookup at a party and what happens when you run into that person randomly the next day. Or at least what happened that time, but it’s just a frank and honest take on the whole thing that it became my favorite in this book. Craig Bogart has a giant smashy alien, and Dansen Stahl & Tim McClure have a wraparound for many pages about unintentionally interlocking conversations on a busy city street. Really the perfect anthology, as nothing was anything less than interesting, which leads to a great reading experience overall. Check it out, they have other anthologies from past years available too, and I’m curious about them now. I think I was kind of harsh on at least some of these people in their individual comic, but now I feel compelled to pick up some other issues and give them another chance (everybody should know by now that I’m always willing to read other issues from people I previously panned, as that’s the only way I’m going to have an informed opinion about anybody, as it’s impossible to discard someone based on one book). OK, ramble over, here’s the website, it’s $3, check it out!
Panel Anthologies – Panel #1
Panel #1
Well, here it is, the missing O.P. (original Panel). It seems silly to review this in the conventional sense, as this is the definition of a labor of love, probably taking years to complete. What good does it do to poo-poo this early work, especially when practically everybody in here has gone on to do better work? Instead I’ll just talk about the contents, as plenty of people will probably never see this in its current form (although there are maybe, possibly some plans to post this issue online). All the stories in here are followed up with pretty thorough bios about the creators, or at least they were thorough at the time. There’s also a script, which is always interesting for people who want to see how the sausage is made. As for the stories, there’s an untitled story by Steve Black which is a hodge-podge of seemingly unrelated words and images, a preview story of a wacky university with robots and teenagers by James Hanrahan and Tim Fischer, one oddly placed panel by Dansen Stahl, the story of a classic con by Andy Bennett, a brief story about the future by Tony Goins and Steve Black, a lovely text piece about a local wrestling show by Tony Goins, a heartbreaking story about getting old by Tony Goins, the perfect way to regain fame by Dara Naraghi and Tim McClurg, and (this is how I can tell that this must be old) a series of surprisingly unfunny strips by Tom Williams. Just in case you were like me and thought he must have always been awesome. In future issues the art is better and the writing is crisper, but there’s only one first issue of any series. Oh, and there wasn’t even a theme that year! A minor thing maybe, but it sure seems odd now.
McGurr, Sean – Mini Ring King (with Tim McClurg & Steve Black)
Mini Ring King (with Tim McClurg & Steve Black)
Yeah, this should probably be on one of the Various pages, but those things are too huge already and Sean was kind enough to send it to me, so he gets the honors. Just in case you were ever interested in that sort of “inside Optical Sloth” logic, and shame on you if you were. There are a few stories in here, as well as some lovely pinups of some old wrestlers by Tim McClurg. First up is a story about a soon-to-be-dead boxer, appropriately called Specter. Next is a silly story called Vowel Boxer about, well, boxers who shout vowels as they punch, which didn’t do a thing for me until the punchline, then I loved it. Finally there The Wrestler of Wyagoth, about the quest of man in general to overcome a Lovecraftian cast of monsters. Good stuff overall, worth it just for the pinups if you were a fan of wrestling back in the day, and the stories aren’t too shabby either, although the whole thing goes by in a blur. Hey, how much plot can you have with wrestling being the theme, right? $2
Black, Steve – A.K.A. #1
I knew it would happen sooner or later where I would read something from somebody who I already had on the website and not know it yet. I should say that I don’t know for sure that this is the same Steve Black as mentioned in the other comic on this page, but what are the odds of there being two Steve Blacks out of Columbus OH doing small press comics. He’s joined in this one by Dara Naraghi, the writer/letterer. As for the book, honestly, it didn’t do much for me. You’ll know what my problem was with the art as soon as you see the sample, and the story was OK, just nothing special. It’s hard to say that yet, as this is only part one out of three, but these “super sleuths” seem pretty clueless about most things. Again, that may be the gimmick, but I don’t know that getting this book cold and there’s nothing in here that grabs me enough to warrant a return visit. Still, go to the website if you’re curious. Plenty of samples are around, from this and other projects that might be more to your liking.
Black, Steve – Four Play #1
Four Play #1
OK, Steve says right on the front cover that this is an experiment in progress, basically, so I don’t feel too bad about giving him some advice. Not that that’s ever stopped me before… First off, learn spelling, grammar and punctuation. That shouldn’t be something that I have to point out to a lot of people, but it seems like most people don’t know the basic rules. There are plenty of people who will put down your mini in the middle of it if they think that you only have a tenuous grasp of the language. Second… well, OK, I guess that was my main problem. There are four stories in here. The one with the bathtub toys was kind of cute, the racing story was interesting even if it made very little sense, the song with Mr. Lipschitz seemed like an excuse to say “Lipschitz”, and the story with the birds lost me completely. Hey, it’s an experiment, he’s learning what not to do. I can respect that. This book is a couple of years old though, so here’s hoping that he didn’t give up after his first book. Send him a dollar if you’re curious at: 518 E. Town St. Apt. 311 Columbus, OH 43215.
Black, Steve – Black Book
Black Book
Sketchbook alert! One of these days I’m going to figure out what respectable reviewers do when confronted with the dilemma of a sketchbook. There’s some gorgeous stuff in here, as Steve catches all sorts of people in some genuinely wonderful poses, and I don’t think I’ve ever seen a sketchbook look better, at least in terms of production values. That tissue paper wrapping around the inside covers is nothing but class, baby. When it comes to sketchbooks, as always, it’s going to come down to the individual buyer. If this is somebody you already like and appreciate (and good luck getting through the Panel anthologies without liking Steve Black at least a little bit), then pick it up, you’ll love it. If you’ve never heard of the guy, well, pick up some of his actual comics first and then decide.
Panel Anthologies – Panel 9 From Outer Space
Panel 9 From Outer Space
That’s right, a 3-D front and back cover. Nothing 3-D on the inside though, so those of you who can never seem to get the 3-D to work (like me) don’t have to worry about missing anything on the inside. Also, kudos to the joke in the title, and to those of you who don’t get it, take heart: there is a level of dorkdom you haven’t yet achieved if the title is lost on you. The theme this time around is science fiction in general, and it starts and ends with fake news pieces about 1957 and 2057 by Sean McGurr & Tim McClurg. The 1957 piece is all about hope for the future, with nuclear-powered cars, peace in Israel, competent government relief efforts and the flash in the pan that was “The Cat in the Hat”. The 2057 piece, naturally, is about how crappy things have gotten since then. The second piece here is Donkey Punch by Tom Williams, a story about a corporate exploration team who crash lands on a planet full of angry ninja women. Dara Naraghi & Andy Bennett are up next with a silent tale about a little boy who finds an alien in the woods and helps free it from a collar… but was that a good thing? Octopeye, by Steve Black & Sean McGurr, tells the tale of our future giant octopus overlord and our attempt to pacify him with what appears to be one of his illegitimate children. Monster Trucks And Baby Mammas by Tony Goins & Craig Bogart is the least fantastical tale of the bunch, as it deals mostly with white trash people sleeping around and/or trying to kill each other. Or maybe it seems more fantastical to people who didn’t grow up around that kind of nonsense, who knows? Finally there’s a one page shortie by Dara Naraghi & Tim Fischer called Love Ninja 8 which is, naturally, about ninjas using their love techniques to fight. My favorite had to be the Tom Williams piece for the sheer mayhem involved, but once again this is a solid anthology all the way through. The lack of a Matt Kish piece is depressing, but it’s a testament to the strength of the rest of these people that that lack wasn’t even noticeable until after I was done reading this issue. $3