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Booger, Olive – Nul

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Nul

Now that was one awkward love story. If I had known that I could have gotten to it a week ago and posted a Valentine’s review. This is a story that’s told as a series of diary entries by a lonely man who really thinks that he’s on the verge of getting a woman to go out with him. By the second diary entry the woman has mysteriously vanished, and after bugging her relatives for a few days he’s finally given a way to contact her. He does, they chat, and she manages to convince him to come work for the same company that just hired her. Hey look, they must live happily ever after! Yeah, not so much. He gets to the job and spends weeks without seeing the woman, surrounded by people who don’t speak his language, trying to understand what’s happening around him, and falling further and further down into a pit of despair, loneliness and confusion. That’s about the time when he gets promoted to be the guy who’s cutting off heads. That’s more information than I generally give away in a review, but this comic manages to be both mini and vast, so there’s plenty of story here yet to uncover. I’d almost say that this comic should be required reading for stalkers, but I doubt most of them could grasp the nuances here and understand that it’s a bad thing to fall too far down the rabbit hole of chasing a lady around. It’s alarming, occasionally grotesque, and a completely engrossing read. $6

Various Artists – Baltic Comics Magazine #11: Artventurous

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Baltic Comics Magazine #11

Huzzah for international anthologies! Getting a comic from Latvia is a sure way to keep me fired up to write more reviews for another six months or so (international artists take note). One note right off the bat: it would probably be a good idea for them to put the title of their book on the cover. In this case “Artventurous” refers to art both being made and not made and the various adventures surrounding different types of art. Don’t get me wrong, that cover is going to grab your attention sitting on a shelf anyway, but that one descriptive word might have helped them pick up another reader or two who was too lazy to open the cover. Anyway, for me a 2/3 success rate is more than enough to recommend an anthology, and this one is closer to 4/5 fantastic/provocative/fascinating, which covers that spread quite nicely. Please note that I’m not going to talk about every single story in here (because then what would be left for you to discover?), but a full list of artists is down there in the tags below the review. My favorites from this boo include the closed loop story by Martins Zutis dealing with The Odyssey, the silent piece by KJ Martinet called “Ideal Form” (I don’t want to give away a bit more than that), the fantastically creepy “Leda” by Betty Liang, the mind-boggling amount of detail in “Necropolis” by Jean de Wet, Jen Rickert’s “The Loon” and its shifts between what is happening in the moment and the flashbacks from its murderous protagonist, Konig Lu Q’s simple (but not simplistic) extra commandments, Roman Muradov’s story that disintegrates into little pieces in the middle, the sheer adventurousness (and never discount the value of a giant robot yeti) of the Mikus Duncis story, the social horror of Olive Booger’s piece, the gleeful mayhem of Elina Braslina’s story, and the plausible paranoia of Dilraj Mann’s story. And this is all without me even mentioning Simon Moreton’s story (who, if you read this website at all, you know is a favorite of mine), which should tell you something about the overall quality of this anthology. Honestly, I should maybe even bump up that 4/5 quality estimate, as even the (many) stories I didn’t mention here usually had something going from them, between the vibrant splashes of color and the various social anxieties based on growing up around art or just trying to produce something of value when so much incredible stuff has already been produced. Pick it up if you get the chance, that’s what I’m saying, as it’s impressive that they’ve made it to #11 and they should shoot for many more. $13