Memoirs of a Muse #3: Epygt
I may be dealing with an expectations problem here. These occur when I think/wish that a story was going in a different direction, but it turns out that the writer/artist had other ideas. This is entirely on me, as I’m the one passively consuming the comic while the artist is the one actively making it, but I wanted to make it clear right away that most of the problems I had with this book come from that, and through no fault of the artist. Now that that disclaimer is out of the way, I thought this was going to be a set of detailed examples of ancient Egyptian art, how it came about and who made it. Instead Gail is mostly focused on getting her muse back to Enoch. Which makes sense, as that’s the story she has been telling all along, so never mind me. Things start off with the muse getting to Egypt, and the muse helps her host gain some recognition for her skills. Once she is done there we get to see those ancient artifacts that I was so interested in, with my only complaint being that we see them too briefly. From there I don’t want to give too much away, but we do get to see some mummy action before it’s all said and done. Aesthetically I do have a few complaints, as the blacks from some of the art occasionally made text practically illegible. This issue also wins the prize for “most spelling errors in the series,” which is not a good prize to have. Not that it’s out of control, as it was still a relative few, but as it’s never been easier to make sure you’re spelling words correctly, my willingness to let stuff like that slide has been going downhill for years. It would also have helped if her asterisk system had been explained (or numbered as footnotes), as the information she was trying to direct the reader to is all piled up in the back, with no reference for which is which in case you lost track/missed an asterisk or two. All that being said, I’m still thoroughly enjoying the adventures of this muse through time. Weird, right? You’d think all those complaints would lead to a bad review, which is a testament to Gail’s abilities as a storyteller. If you’re interested in art and where it comes from (and chances are that you are if you’re reading this) then this remains a fascinating series to watch unfold.
