{"id":568,"date":"2004-12-28T15:52:50","date_gmt":"2004-12-28T21:52:50","guid":{"rendered":""},"modified":"2008-06-18T10:59:04","modified_gmt":"2008-06-18T17:59:04","slug":"derf-2","status":"publish","type":"post","link":"https:\/\/opticalsloth.com\/?p=568","title":{"rendered":"Derf"},"content":{"rendered":"<p><!--more--><br \/>\nSomething about Derf and Dahmer<\/p>\n<p>Ah, my real name must remain a secret to protect me from my<br \/>\nenemies, says Derf, who currently writes some of the finer<br \/>\ncomics in the world right now.  His works are diverse and<br \/>\nrange from the hilarious story of his time as a trash<br \/>\ncollector to his deeply personal story recollecting his high<br \/>\nschool friendship with Jeffrey Dahmer and his politically<br \/>\nincorrect strip <span style=\"text-decoration: underline;\">The City<\/span>.<\/p>\n<p>One day I remember having messages on my machine from the<br \/>\nNew York Times, Oprah, Geraldo, NBC News and the National<br \/>\nEnquirer, all looking for interviews! says Derf. He didn&#8217;t<br \/>\ngive any of these interviews because they would have been<br \/>\nabout his high school relationship with one of the world&#8217;s<br \/>\nmost notorious serial killers, Jeffrey Dahmer, rather than<br \/>\nabout his career writing comics.  The Dahmer story surfaced<br \/>\nat the beginning of Derf&#8217;s career.  He has been writing his<br \/>\nstrip, <span style=\"text-decoration: underline;\">The City<\/span>, since 1990.<\/p>\n<p>Derf&#8217;s latest book is called <span style=\"text-decoration: underline;\">My Friend Dahmer<\/span>, a<br \/>\nstory about Jeffrey Dahmer&#8217;s youth. It&#8217;s my account of my<br \/>\nfriendship with him during junior high and high school.  A<br \/>\nvery spooky look at a young boy spiraling into madness,<br \/>\nsays Derf. Set aside your pre-conceptions as you read<br \/>\nthis.  I&#8217;ll tell you right now . . . there&#8217;s no violence.<br \/>\nNo gore.  No deviant sex.  No graphic depictions of<br \/>\nunspeakable acts.  Nothing.  But this is a real horror<br \/>\nstory. . and we all know how it turns out, writes Derf on<br \/>\nthe inside cover of <span style=\"text-decoration: underline;\">My Friend Dahmer<\/span>. It&#8217;s my<br \/>\nbelief that he COULD have been saved.<\/p>\n<p>He could have gotten some professional help! says Derf.<br \/>\nI&#8217;m not saying he could ever have lived a normal life, but<br \/>\nI think mental health specialists certainly had a chance to<br \/>\nstop his descent, if some adult . . .teacher, counselor,<br \/>\nparent, anyone . . .had just stepped in when this guy<br \/>\nstarted wigging out.  But no.  It was easier to ignore him.<br \/>\nBy the time he was a senior, which is when most of my story<br \/>\nis set, he was pretty well lost, I imagine.<\/p>\n<p>Derf was also nominated for this year&#8217;s Eisner Awards for <span style=\"text-decoration: underline;\"><br \/>\nMy Friend Dahmer<\/span>.  (The Eisner Award is the Oscar for<br \/>\ncomics.)<\/p>\n<p>I&#8217;ve always done it.  I have cartoons I drew when I was<br \/>\nfive years old. Cartoonists are born, not made.  I was<br \/>\nalways getting low marks for drawing all over my notebooks<br \/>\nand worksheets.  When a teacher took them away, I&#8217;d draw on<br \/>\nmy desk.  When I was forbidden to do that, I drew on my<br \/>\njeans! says Derf.<\/p>\n<p>His previous book is called <span style=\"text-decoration: underline;\">Trashed<\/span>.  This is a<br \/>\ncollection of true stories about Derf&#8217;s time working as a<br \/>\ntrash collector after dropping out of college. I dropped<br \/>\nout of college because I didn&#8217;t like the art school I was<br \/>\nattending, says Derf. It certainly wasn&#8217;t a career goal<br \/>\nto be a garbage man.  But it was a bad recession . .<br \/>\nespecially in the Rust Belt. (Derf is from Ohio.)<\/p>\n<p>Derf&#8217;s influences are mostly underground comic authors.<br \/>\nMostly super-hero stuff, then got into underground and<br \/>\noffbeat stuff when I was 13 or so, says Derf.  He is<br \/>\ninfluenced by Robert Crumb and many of the European<br \/>\nExpressionists of the 20&#8217;s. I get a lot of tortured<br \/>\nperspective and gritty urban realism from them.  Filter all<br \/>\nthat through the punk imagery I grew up with.  An odd mix,<br \/>\nbut somehow I make it work.  I&#8217;ve always been attracted to<br \/>\nthe dissidents, the professional fringe.  I admire their<br \/>\npassion . . .and their courage, he says. Crumb is one of<br \/>\nthe great cartoon geniuses of the 20<sup>th<\/sup> century.<br \/>\nHe rose from the hippie counter-culture of 1960&#8217;s San<br \/>\nFrancisco and virtually single-handedly created underground<br \/>\ncomix, the first time comix were written for adults, not<br \/>\nkids.<\/p>\n<p>Derf is probably most well-known for his strip <span style=\"text-decoration: underline;\">The City<\/span>.<br \/>\nThis is a strip that appears in some underground<br \/>\nnewspapers.  <span style=\"text-decoration: underline;\">The City<\/span> is a perfect outlet for Derf to<br \/>\nsay how he feels. Oh I don&#8217;t think anyone who reads my<br \/>\nstuff doubts where I stand.  I&#8217;m distrustful of the federal<br \/>\ngovernment (especially THIS particular un-elected regime)<br \/>\nand of big business.  I think the deck is completely stacked<br \/>\nagainst the common schlub, more so now than ever.  That&#8217;s a<br \/>\nbig theme in my work.  The American Dream has been stolen<br \/>\nfrom us by offshore corporations and their hired puppets in<br \/>\ngovernment, says Derf. We&#8217;ll all eventually be greeters<br \/>\nat Wal-Mart, working for minimum wage with no health care .<br \/>\n. .and under constant surveillance of Homeland Security.<br \/>\nIn  <span style=\"text-decoration: underline;\">The City,<\/span> Derf writes about current events and<br \/>\ncreates reoccurring characters such as \u00ef\u00bf\u00bdWhite Middle Class<br \/>\nSuburban Man.  In a particular strip he addresses the chunk<br \/>\nof steel that looked like a cross that was spotted at Ground<br \/>\nZero.  Derf regards this cross as anything but a sign from<br \/>\nGod. Sorry, Lord . . .at this point you&#8217;ll have to do<br \/>\nbetter than that, writes Derf. I&#8217;d like to believe in<br \/>\nsome higher power.  It&#8217;s comforting.  But I have to admit<br \/>\nI&#8217;m pretty much agnostic at this point.  It&#8217;s not God so<br \/>\nmuch as religion that is my big beef.  It brings nothing but<br \/>\nintolerance and violence.  Believe what I believe or I&#8217;ll<br \/>\nkill you.  Believe in my particular narrow interpretation or<br \/>\nyou&#8217;re going to hell.  Blah blah blah.  Virtually every<br \/>\ngreat episode of misery in human history can be traced to<br \/>\nreligion, from the Inquisition to the wars of Europe<br \/>\nin the Middle Ages that wiped out a third of the population<br \/>\nto the Holocaust to Sept.  11, says Derf. Let&#8217;s start<br \/>\nusing our brains . . .and not rely on some bible-thumper or<br \/>\nmullah to tell us what to think.<\/p>\n<p>Derf says his two children have had a major impact on his<br \/>\nlife.. Kids affect your life in every way, of course.<br \/>\nThere&#8217;s a lot less time to work.  That&#8217;s the only impact on<br \/>\nmy comics.  My son is in the 2<sup>nd<\/sup> grade and is<br \/>\nalready taking a big interest in comix and cartooning.  I&#8217;m<br \/>\nhoping he won&#8217;t doom himself to life as a cartoonist . .<br \/>\n.but, as I stated at the beginning of this interview, that&#8217;s<br \/>\nprobably already been determined, says Derf.<\/p>\n<p>Derf says he&#8217;ll continue to write comics in the future.  He<br \/>\nsays as long as someone will publish it, he&#8217;ll continue to<br \/>\ndraw <span style=\"text-decoration: underline;\">The City<\/span>. He also says a book of his strip will<br \/>\nbe coming out this fall. I&#8217;ll be doing more comic books,<br \/>\nhopefully at least one or two a year, maybe more if I get<br \/>\nrolling, says Derf. They don&#8217;t make any money, but<br \/>\nthey&#8217;re fun to put out there.<\/p>\n<p><a href=\"mailto:homesqueeze1@yahoo.com\">~Ben<br \/>\nDurgin~<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4],"tags":[],"class_list":["post-568","post","type-post","status-publish","format-standard","hentry","category-interviews"],"_links":{"self":[{"href":"https:\/\/opticalsloth.com\/index.php?rest_route=\/wp\/v2\/posts\/568","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/opticalsloth.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/opticalsloth.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/opticalsloth.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/opticalsloth.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=568"}],"version-history":[{"count":0,"href":"https:\/\/opticalsloth.com\/index.php?rest_route=\/wp\/v2\/posts\/568\/revisions"}],"wp:attachment":[{"href":"https:\/\/opticalsloth.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=568"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/opticalsloth.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=568"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/opticalsloth.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=568"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}